global initiatives in your back yard

My friends Jill Binder and Kajin Goh are attempting to create a Vancouver chapter for Pangea Day, a global film festival, “The day the world comes together through film”.

From the site: “On May 10, 2008, a 4-hour live streaming program of films & social consciousness outreach will be broadcast everywhere — everyone around the planet will be watching the same thing at the same time. The idea is a movement to promote World Peace through the medium of moving pictures. Films are powerful. Are they powerful enough to cause a global shift?”

If you’re interested, they’re having a meeting tonight at the End Cafe on Commercial Drive, (just north of Broadway SkyTrain Station), from 5:30 – 7 o’clock. I’m told that they are often late to their own meetings, so don’t be discouraged if you don’t see them right away.

Pangea Day Vancouver
Pangea Day on Facebook

the places livejournal takes me

Seattle was beautiful, a week of people I like and trying unfamiliar intersections on for size. Compass points. The stars and sea. Music, driving, carrying the city in my head. Robin brought me down, we talked love, I stayed with Joseph, we talked sex, and I bathed in every minute of living somewhere new. The nutrition facts of being away: elevated mood 90%. I would have been content to simply stay. Mike agreed I should. Walk out the door and never, ever return.

My favourite time was sitting in the hotel hall with Adam as we asked each other ridiculous questions designed to let us know each other as fast as humanly possible before we had to make the mistake of letting the next day wake and stretch arms and happen. He effortlessly touched the place I hide my face, a perfect replica of what I need to be content with life, reminding me to keep reaching out to others. It’s all a matter of numbers. Odds. Carrying each other like islands with similar species. Eventually, something’s going to give, somebody will stay and be a little bit of everything. Chaos theory, psychographics, the aching joints of disharmony, all of it faded away in the flowering safety of spending time together. Tangled in his hair, my hands remembered how easy it can be to like somebody, what it’s like to want to have someone else around, as if I could break the sound barrier with only our names. It looked like I killed a child in his shower.

Ross drove me kindly back into Vancouver on Monday, where I was at loose ends. I had forgotten to make any plans past Return, Unpack, and Clean. I stood at my window, glaring at the bland clouds, purring black cats tied to my ankles with neglect, thinking, “the drugs just don’t work today.”

Then Jacob Appelbaum called.

Come on down, he said, this is where I am, he said, where should we go next? A week unfurling, futures whispering, why not? Yes. Please. Rescue me. So I met him to the Jupiter, (forgetting they host the worst karaoke to ever issue from human beings), then found myself in a hotel room where the last of the hackers were trying to unsuccessfully party down on a Tuesday night. Tables covered in con-badges crowded the room, pizza boxes sat semi-ignored near the balcony door, and no one seemed to remember names. It would have been sad if anyone had been more awake. Eventually I caught a ride home from a Berkeley fellow, bared my teeth at sleep, and collapsed into Thursday.

Jacob, now Jake, called again. Come out, he said, we’re at the Vancouver Aquarium. Loud music, blurred laughter. Yes, of course. Bringing Ray, knowing he wouldn’t make it too late. They handed us tickets at the door, Complimentary Drinks From Microsoft, as I was highly amused how easy it was to swagger in. People standing everywhere, a string of blaring speakers probably bothering the fish. I scouted, looking for bleach blond hair to catch my eye. Jake was in the back, standing with Julia and speaking German with another girl I’m not sure I ever met again. We floated around the building, trying to find a way in to see the lemurs, but failed and eventually found ourselves outside with the dolphins and belugas instead. For five hundred dollars, I promised, I would strip down to underwear and swim with the dolphins. Sadly, only about three-fifty was ever raised, so I stayed dry, not willing to risk pneumonia without my rent being essentally gauranteed. Oh thwarted adventure. The Baby Buddha cried.

Eventually Ray went missing, as was expected from a Thursday late night, and whosoever was left was packed into school busses and brought back to the hotel. Another party, same room, more people, better everything. Topics: Internet security, computer user anarchism. Fascinating, technical, I liked it, (it was odd), though I felt that I might flounder at any minute, left behind by the jargon of the industry. Jake invited me to Whistler in a conversation lull, and when I said yes, he and I danced in a corner of the room with Sergio, a fun Argentinian fellow with short hair except for one long, thin, braid, who I ended up staying over with.

I woke in a king sized bed to an announcement at a ten o’clock that felt like seven a.m. THIS IS NOT A TEST. EMERGENCY SERVICES ARE ON THEIR WAY TO ASSESS A POSSIBLE EMERGENCY. ALL ELEVATORS HAVE BEEN LOCKED, PLEASE USE THE STAIRS TO EVACUATE THE BUILDING. WARNING CODE ONE. PLEASE REMAIN CALM. My first waking thought. “I’m not navigating 18 stories of stairs until I smell smoke. Especially,” as I opened my eyes, “it appears to be snowing outside. Ha.” Instead of pulling myself from the wide, warm blankets, I curled myself deeper into my nest of utterly first class pillow and went back to sleep, chewing a complimentary chocolate. Until the warning sounded again, then a third time, at which point I gave up, got up, and walked out, soundly forgetting my camera on the table until the moment the door clicked shut behind me.

“thanks, I’ve been working out”

365 days seventy-four: getting better

From where I sit at my computer, I can lift my left arm up to point at the sky and directly impale the moon.

I came out of Seattle on the wings of swords, dizzy from lack of blood, thin with anemia, in love with long hair and laughter at three in the morning. How is it that we slept so little and said so much? Sheets stained, a hallway, dancing in the main room, ghosted in, refusing to exist for three days running, the colour of his hands in the sink. Revitalized, starving, everything blurring into a week of living out of town, trying to learn where all the streets joyfully go and how they knit together. Red like bricks, white like sheets, windows running, the darkness of a night-club, an arcade of easy decisions lain out to take, simply, delightfully, right.

Monday I arrived and Monday I left, a line on the calendar, traditional and far away, a sweet stretch of time, between an inhale of wind and exhale of sunshine, just long enough to remember what I want and how much of it I can create.

Back in September, the Brickhouse was crowded with loud, unexpected, off-season patrons, drinking while on their way to a club. The bartender glared at them as I took Mike past the main area, the 70’s upholstered couches cluttered with shaggy pillows, a short row of inaccurate pool tables, to the close seats lining the back where our group generally collects. There’s a Ms. Pacman there and murky fishtanks in-set into the wall full of dubious looking fish we always feel mutely sorry for.

!!!!!!

I could see the taxis had been quicker, already our friends were there, a pitcher of dark beer resting on every table. Our evening, as the only people who didn’t smoke, the two playing accordion with language, slid from them into late dinner at a Pho place that played porn on a small television in the back next to a table of beat-boxing Korean boys. Laughter, neon, mirrors along every wall. With dawn threatening, the clock reading older: “Where are you staying?” “Nowhere yet.” “So what you mean to say is that you’re staying with me.” Four hours in a bed together before working up to the common revelation we call a kiss. He looked at me like a child who’s seen something truly marvelous, like the astonishing miracle of a talking sock. I felt like a gift, a treasure worth having, a lesson learned well enough to speak a new language, which was an old language, which was exactly a story waiting to bend itself to fit the confines of my personal mythology as well as my bed.

Seattle, where we met-went next, as architecture, as a patch-work of memories I am beginning to sew from day to day. This is where I took a picture of a walk/don’t walk sign, next to where someone grinned and played the rake, taller, thin, dry, not as everything as I knew before, but better, improved. This is where I stood for the bus that took me to Ballard, where the streets are paved in brick, Norwegian History, a story of a dead son, an Italian dinner, and the sound of back-stage banter at the Tractor, “give me your hand”, climbing the fence and staring down at Nicole as she argued with the buttons of my camera, as I wore Mike’s hat and smiled as if the expression were newly minted just for me. How everywhere is named the spot or the dot or the spatter, from sex clubs to breakfast places to all night diners, dark, noisy, crowded, and low. Dancing all night, walking past another day, sitting on the floor of the beating heart of the downtown library, knowing which bus route will take me back up the hill. Refusing to use anything but his full name, two syllables, originating in Hebrew, meaning “he will add”.

365 days seventy-eight: what happens at half ten?

Who was that naked in the fountain? It’s doubtful we’ll ever know, but it is a friend os the family who lives in the pink house basement a block away from the full force impact of forgetting how beautiful his eyes can be, I’ve never seen him need such a shave, December could never be so far away as this moment here, again recognizing my lover and finally feeling my heart breathe.

I am meshing with the city, overlaying memory with memory – a hotel, how strange, sleepless long nights, better than last time, the changes in my life forcing me into a little more. This time with friends, watching my ties as they grow, thrusting roots into the unknown pattern of streets. Eyes stinging from the water as the stars walk by, lights I can’t even pretend to see. Blind. Sitting in a car in a parking lot, realizing that I’m apparently talking to a Jewish martial arts expert composer who runs a store where everything sold is purple and thinking that’s entirely normal and more than a little bit okay. Obviously. Evident like walking through snow, the shape of movement imprinting in the weather. Fire in a room, the shivering unlikely, improbable, and unexpectedly matched up like polarized film. Collected moments accruing into a future avalanche, an altar to where we’re all be next year.

It was nice to meet you, I hope to see you again. With love, and everything else the heart needs around. Knee deep.

THEY HAVE SUNLIGHT!!!

I made it to Seattle. Someone even paid for my ticket on the promise that I go to some masquerade party with them and their ridiculously hot girlfriend on Friday. Somehow, just somehow, I couldn’t say no. Oddly.

I’m staying downtown, within a block of the Space Needle. I really like it here. There’s clothes to return this week, a corsetiere acquaintance to visit, and friends and extended chosen-family to have tea with. Joseph and I went to a park earlier up on Capital Hill with some fruit cobble and there were pretty naked people laughing and splashing in the water fountain, drunk from St. Paddy’s day, and delightedly giggling like they had just invented joy. (Once I’m done this, we’re going to watch American Astronaut).

Tomorrow is Mike’s gig with Buckethead, which should prove to be wicked and by wicked, I mean delightful.

another day where I haven’t left the house yet

This makes me happy.

A city dressed in shadows, constant cloud. It was nice to be out of it, alive under sunlight, meeting new people, a trick I have all but lost in Vancouver. Ran out of people, somehow, ran out of patience. Things, moments, miniature adventures dressed like tedious hotel rooms, anonymous, sterile with interstitial furniture.

Getting away was good for me. I’ve come back from Seattle with e-mail addresses and stories of dancing all night, interesting possibilities, and more than one bit of revelation. (Apparently someone’s hard-wired into my system. This would bother me, except that at least I’m aware of it.)

Friday night was a failed attempt to see the laser graffiti up from San Francisco, (they couldn’t get it to work, so after having us stand in the rain for 45 minutes, they gave up, packed up, and left), and Duncan’s yearly party, aka the sort of evening that goes late. I didn’t get home until almost three, at which point my friend Dan came over to crash the night rather than going all the way home to Deep Cove after working downtown, so three turned into four which turned into my alarm, the snooze button, the alarm, then the realization that I was going to be late unless the taxi managed to get me downtown in under eight minutes. A brilliant start.

Once I was on the bus, everything was easier. No one even asked for a ticket. The border snuffled a little at my silly hat, but smiled wryly at my jokes and let me go, and I was picked up immediately when I arrived by a young man with wonderful eyes who canceled out all possible nervousness intelligent people might have had about getting into a strangers car. (I am discounting myself from this group, we all know I get into strangers cars far more than my mother would like). Ten points all across the board. The party itself proved to be a little much at first, as there seemed to be a table-top game being played in every room, but I met some of Silva’s friends outside and stood in the sun long enough that the currents of the house had time enough to shuffle some people out who weren’t obsessively rolling dice.

It was comfortable, settling in, and I’m sorry I didn’t get more contact info for some of the people I spent time with. One girl in particular, short black hair, eyes like jewelry, Erica? She braided my hair into thin whips that fell out over the course of the evening. I didn’t even catch when she was gone the same way I’m not sure when the sun went down.

Eventually the games wound down and the bid to go dancing began in earnest until Sebastien Jon Karl, the man with many names, his friend Robin, and Dan, our host, piled into the car to drive downtown to a place called Noc Noc. Red, black, a giant nailed to the wall above the bar, arms spread, lights in its eyes. I laughed as I ditched my coat, glad at the scurrilous decor, already moving to the music as I rolled ear-plugs out of napkins at the bar.

I hate that Vancouver doesn’t have any all-night dance clubs. I used to practically live in such places, bruised feet every morning, sore muscles at least twice a week, so Noc Noc was perfect, minus the early crowding. (Until the floor, mostly dominated by people who’d been drinking, maybe too much, thinned as the hours went by, I continually felt like killing people who didn’t give me space to properly move.) We lost Robin somewhere around four in the morning, but adopted Steele, a here-to-actually-dance with an uncanny resemblance to a 20-something Antony, and kept going until dawn. It would have been longer, but the prospect of soaking in a hot tub as the sun came up was too nice to pass up. When the sky started showing blue, we threw ourselves out of the club, and drove back to Dan’s house around seven, deciding not to get out of the water until it was officially tomorrow. And, with the fogged lucidity that only the blind-tired can have, that’s what we did.

Breakfast was next, ridiculously huge portions at an odd diner papered with an anarchistic riot of crayon illustrations. From what I could see, the surreal drawings had been created by every skill-level possible. There were scrawls that were barely recognizable as possibly maybe it’s a tree if you squint to hyper-detailed anatomy studies of cthuloid anime characters who may or may not have been sodomizing a smurf underneath a wiccan symbol. (My favourite was a purple realist cartoon of a stripe-tailed lemur wearing a yarmulke and holding a menorah with the words JEWISH LEMUR at the top.) Highly entertaining. As I’m told it’s a 24 hour diner, I’m almost certain to be back there this week. Maybe I’ll get a picture.

We met with Kris there, which was great, and when Sebastian and Steele begged out to go sleep and get boots fixed, she came back to Dan’s house to hang out a bit, meet the cats, and drink some tea before driving home. It made me smile when I found some blurry pictures of us together on my camera during the bus-ride back to Vancouver.

Dan made sure I got to see Gasworks park, finally, before I had to go, for which I’m thankful. That park is some sort of fairy-tale, like the model ruins of an abandoned Wizard of Oz city. It hit home, standing there, why so many artists come out of Seattle, a sense I’d only lived in the edges of before. Suddenly I felt a biting urge to move there, escape Vancouver like a bad relationship to go stay with the neighbor, no matter the guns and dirty politics. Impossible, as of yet, but a new thought. A nice one.

I’m going back for Mike’s gig on Tuesday, though no plans have formalized yet. I don’t know when I’m going or how long I’ll stay.

willing to bet this will be fascinating

The Linear Animal
Saturday, March 15, 2008, 8:00 p.m.

Western Front (303 East 8th Avenue, Vancouver)
Tickets $15 / $10 Students and WF Members

Digital media meets the 19th century tradition of paper theatre in this interdisciplinary performance work. A meditation on home and exile, and on the nature of storytelling, sweeping an arc that ranges from Bavaria across the New World and to the bottom of the deep blue sea…

Is it a love story?
Is it Heideggerian ontology?
Or is it just a bunch of cardboard cutouts?

Putting a modern spin on an antique form of household entertainment, The Linear Animal utilizes recent technologies to create a one-of-a-kind performance. Through live narrated voice, live video, and an improvised score of recorded sounds, the story unfolds alongside a children’s train set that circles in front of the audience, carrying on it the cut-out characters of the story. The narrative behind The Linear Animal is one of history, family, adolescence, love and memories; but most of all it is a story that explores different views on the often conflicting and perplexing idea of “home.”

The text of The Linear Animal was written by Andreas Kahre; an interdisciplinary artist, designer, writer and musician who has been involved in the creation of more than a hundred projects with theatre, dance, and music ensembles across Canada. His collaborators for The Linear Animal are internationally recognized media artist, composer-performer and software developer Kenneth Newby, and media and visual artist Aleksandra Dulic. Kenneth and Aleksandra are both members of the Computational Poetics Group at Simon Fraser University, where they specialize in the development of intelligent performance instruments and the creation of new works that combine live animation and music techniques for live performance. David Garfinkle narrates, and Stefan Smulovitz joins the ensemble as a special guest improviser on viola.