when you’re jonesing, you’re jonesing

Stephen Fry video birthday card to the Free Software Foundation’s GNU project

Tonight I leave for Seattle, which might not be the most clever thing I’ve ever done, considering that next week we leave for back east, (for which I have barely prepared for), but the ticket is bought, the plans are made, and I can’t help but look forward to it. A group of us are going dancing tonight, there’s ANACHROTECHNOFETISHISM tomorrow, then then Nicole rides into town with her imaginary boyfriend in time for Eliza‘s solo show on Saturday which we plan to follow with a night of sci-geek concertry at the Funhouse.

Next week, David and I leave for Montreal, (on the same bus as Karen New, coincidentally enough), and make or break our relationship as we travel together, nonstop for two weeks, six days of which will be spent on in transit, knees together, prairies outside. We’ve had a lot to work out since he took off on me at the folk fest, which hurt him more than it did me, and as he finds it significantly more difficult than I do to communicate, my patience has been eroded away, until I can’t bear to bring anything up anymore. I suspect that being trapped together in a bus will be, at least in part, a last ditch attempt to see what intimacy we can bring back from the ashes of his insecurity. Heavy, annoying, and heart-felt, I know.

Thankfully, there will be little stop overs in Calgary, Regina, Winnipeg, and Ottawa! Yay!

In Calgary, Gavin and Michael might track us down for tea, in Winnipeg, my cousin Francis is going to swing by, and I might be lucky enough to reconnect with Darren in Ottawa. One thing remains, however, does anyone here live in Regina?

Seattle: what I’m doing this weekend, a partial list

ANACHROTECHNOFETISHISM: artifacts by pioneers of american steampunk.

“Long before the age of the internet, and well before the cold efficiency of the assembly line, existed fantastic and terrible machines, run on hope, sweat, and steam.
It was a time in which form and function lived in sin, and everyman was a revolutionary.

We are 13 American artists united by broad geography and narrow aesthetic.

Marrying narrative and nostalgia to design and technology, we imagine the triumphs of the past overriding the failures of the present to create from the ruins and detritus a dazzling future-perfect.


From Eliza,

Starring me and twelve other retropostapocalypticians, including Molly Porkshanks and Jake von Slatt, this show will feature insane amounts of designer teas and chocolates, a full set of my fine art prints, and a half-dozen original oil paintings that I have never shown in public, including Shine, Rustbutton Brass, the City, Afterglow, Twilight in the Roachfields (What I Did On My Summer Vacation), and most ridiculous of all, the Vacuum Traffic Controller: a 40 x 66″ collossus that I hope will dominate the room with his deep, slightly furrowed gaze.”

September 12 – October 3, 2008
Opening Reception: September 12 6:00 PM – 10:00 PM
SUITE 100 GALLERY: 2222 2nd Ave Suite 100, Seattle, WA 98121 (206) 956.3900

::..::

She also has a second show opening this weekend in Seattle, a solo affair launching on Saturday the 13th at Lighthouse Roasters, (400 North 43rd Street), from 4pm – 7pm. “The flagship painting, an original oil on a 24 x 24″ circular board, is the Cardiographer: dark, slick, and glowing, a portrait of a ghost-muse spinning a pulse out from ectoplasm. Co-stars include brand new (as of yesterday) 12 x 12″ Flee, a silvered landscape with robot on the lam; the ever-popular Bat Smax, an extremely adorable collaboration with my partner in rape-and-pillage, Jhonen Vasquez; the complete set of original sketches for the Bee Commission (monsters, demons, and vespid whores); and a full host of fine art prints, including many that won’t be shown at the steampunk show because they simply are not steampunk. And of course, refreshments will be served. Which is really the only reason to show up to an art opening in the first place.”

And, at my gentle nudging, it’s been decided that after her coffeehouse show, we’re all going to saunter over to Toren’s The Darkest of the Hillside Thickets concert at The Funhouse, (206 5th Ave N), where they’ll be calling up non-euclidean demons with BLOODHAG, (“Our mission is to spread the gospel of Edu-Core. Bang The Head That Does Not Read. Everyone Smarter Than Everyone Else. Use Heavy Metal music to promote literacy and vice versa. General Info: BloodHag play really short Heavy Metal songs about Science Fiction authors.”) and The Keeper, (“D&Dish wizard rock. Our EP is called Twenty Sided DIE!.”). Angel is a good friend of Jake, from BLOODHAG, and she warns us, “be prepared to be pelted with Sci fi books!”

seattle scenes

Wind tearing at my helmet, I let it pull my head back and up, as if hands were cradling me, and stare at the star rich sky sliding above my mother’s head as we thrum up the highway North. I know I’m likely cold, blood slowing and a chill setting in, but I can no longer feel it, I’ve been sitting perfectly still for too many hours. My body has fallen into stasis, it’s merely an organic part of the machine we’re riding, one hand locked around the passenger handle, the other braced on the gas-tank, motionless, and it has nothing to do with me. The only things that move are my eyes, as if the edges of my helmet are the edges of a screen and the stars are a hypnagogic film spun out of my memory.

“I’m sorry your girl left you. It’s hard, sometimes.” “This one was the special girl, I liked her even more than I liked sex with her.” “Though I don’t relate to some of the background there, I do understand. Want to know my sad-hearted secret?” “Sure.” “I knew he’d started seeing someone else, months ago, before anyone ever thought to tell me.” “How’s that work?” “He stopped writing me back.”

An old man three tables down keeps raising his tired voice to answer moments of our conversation. We are five slumped at a table which seats four, geek t-shirts and utili-kilts, politics, software, and video games, tired from dancing, hoping for food. Our perfect, tragic waitress, dark haired, pretty, looks over us to him, frowns, shakes her head, and puts the pad away as we order. “Don’t mind that,” the antique sound of a scratched phonograph, “How was your night?”. She’s a friend, warm, kind, and brings us extra whipped cream in the milkshake we split.

When the man stands up and shuffles past us to the back of the cafe, the dim light erases his face, so he seems made of darkness, only the shape of a man inside a worn thrift-store suit.

who can feed the cats while I’m gone?

Vicki and I are leaving on her motorcycle for Seattle tomorrow afternoon. We’ll be staying with Robin, Joseph wants to go dancing, Ivo put dibs on Saturday brunch, MJ’s asked for Saturday afternoon/evening, and Kyle and Trillian have called Sunday afternoon/evening. After that, we’re on the road back home. Pray, my people, it does not rain.

the trials and travails of nothing in particular

Anyone want a chandelier? How about a lamp? Please?

The weekend was spent moving David from his cave apartment of the mysterious smells to a pleasantly crooked #9932CC-darkorchid room in an old heritage style house on Arbutus street, right across the street from the Ridge Theater. It was an alright move, as such things go. Nothing irreplaceable was broken, nothing precious was lost. It involved many, many boxes of books, one might say too many, really, a veritable library of books, and little else. Some clothes, some furniture, two rabbits, but mostly boxes and boxes of books. I drew a floor-plan before we moved anything, so the chaos was almost instantly organized. Already it’s a habitable room, minus the stuffy proximity of the rabbits, who are currently living under the desk. I feel I should be proud of what I accomplished, though right now I’m too tired, too worn out, and too absently annoyed at my life. (I’m not sure I would date the man who would bring me back to that room.)

My house remains untidy, though order has been emerging in leaps and bounds. It’s possible to see how nice it will look when everything is done, which is new, as before I would examine the apartment and see only disaster. Boxes of extra kitchen stuff, old clothes, and unwanted books have left, either given away to friends or donated, and what’s left is shrinking almost daily as we recycle, sort, and dispose of what we don’t need, want, or could possibly use. It helps, too, that our landlord has finally given in and provided our building with recycling. Where there were piles of folded cardboard and plastic containers, now we have floor-space. It’s almost novel. I’m only sorry I won’t be able to finish everything before I leave for back east.

I’m packing too much into too little time, with too little money, and not enough resources, yet somehow, I plan to survive. To start with, my next two weekends are going to be spent in Seattle. This weekend, I’m biking down with my mother to visit with Kyle “freaking” Cassidy, (who has just proved himself to be utterly fantabulous YET AGAIN), and his lovely beau Trillian, who are in for a wedding, and next weekend I’m going down with Nicole to shot-gun shoot at hipsters with Eliza, who has an art opening. Then, I’m gone for two weeks as I travel by bus to Montreal and Toronto and pray to whatever is available that I’ll manage to pay for it all and still be able to eat.

I’ll embed myself later, for now this is the surface I work from

A list of common misconceptions.

Something is falling. On my desk, to the left of my keyboard, is a small plate with meat, a pen, a cup of red tea so dark it’s ox-blood, and David’s hat like a black ikon, the object everything else is arranged around. Today I wore it like a talisman, not against the weather, but against myself, as a ward against memory, against remaining asleep. I missed him when I was gone, but couldn’t imagine how he’d fit where I was, where his place might be.

I arrived late by five hours, and felt lost, though my mental map of the city is beginning to be more accurate than that of some people who live there. The accident threw my nerves, the never-ending wait at the border had softened them, and my head hurt from hitting the window. Thankfully, I like the city I was left in, like it better than the one I currently call home, so I stayed happy, refreshed by the place rather than the trip to. Joseph didn’t pick up when I called, but Adam did, and plans were made to meet, to find haven up on Capital Hill. By the time I got there, however, what with Seattle transit only running on a half hour schedule, (which is mad), Joseph was on his way. Clever boy, calling my obvious second shot in the dark.

By the time I got to Broadway, we were four over dessert, sitting as two couples, but three relationships. Cousin/not-cousins, ex’s who never were are’s, connections described in tiny arcs, sparking, amused, created from joyful assumption, certain history, and fact. Over cake we decided to head out to a birthday party, a burner thing up on yet another hill, new people, a new house, somewhere I had never been. I rode with Adam and Anna, as Joseph was nervous of me on his new bike. He’s only a neophyte driver, two months in, on a bike I wouldn’t call a starter. Later I would ride with him, later with less people on the roads, less complexity to our uncertain route.

The party was nice, pleasant people in a pleasant house owned by a famous circus performer who was unfortunately out of town. We sang Happy Birthday, ate cake, and sat in the attic, then in the hot-tub, and got used to being in the same place again, our names transformed into something more colourful, a little more happy, flowing like water from each other to ourselves, warming the hollow under my ribs. Life as a you-had-to-be-there joke, like the importance of soapy water and “thank you, I work out.”

By the time Joseph and I peeled away, it was late enough to go dancing, a staple of our visits, something I haven’t done since I was last in Seattle. We went first to Noc Noc, where we spent an entire night once, but the music was terrible, so we headed off soon to the Mercury, the private goth club, where we had spent out New Year’s, back before we knew each other. Unfortunately, it became private to skirt smoking laws, so it might have better music and friendlier clientele, but that only goes so far when it comes to dancing in carcinogenic fog. It was wonderful to finally move, but eventually I had to give up, so it was there in the black nail-polished dark that I finally pulled out Joseph’s lap-top and got in touch with David, somewhere around three in the morning.

I kind of like this guy. He just seems happy.

COILHOUSE: for sale

Coilhouse Magazine, Issue 01 is finally here!
I bought one, have you?


from thier site, emphasis mine:

“Get ready for 96 glossy, full-color pages of art, photography, music, fashion and literature. In this issue, the stark android beauty created by Andy Julia for our cover is counterbalanced inside by his elegant portfolio of vintage-style nudes. Coilhouse travels to Ljubljana, Slovenia (literally! we actually went!) to interview Laibach, while singer Jarboe tells war tales from her career post-Swans. Photographer Eugenio Recuenco contributes a lush 10-page portfolio and interview, while Clayton James Cubitt delivers a poignant, visceral spread (again, literally) on the topic of genital origami. Renowned science fiction author Samuel R. Delany shares an exclusive excerpt from his forthcoming novel, “From the Valley of the Nest of Spiders,” while our first installment of “All Yesterday’s Parties” digs up forgotten party photos from eras long gone, starting with London’s Slimelight circa ‘95. Fans of WZW and Z!ST will love Zo’s fashion pictorial, in which she reconstructs a Galliano outfit on a budget. Pop-surrealist Travis Louie gives us a glimpse of his inner monster, and cult painter Saturno Butto has some medical fun at the expense of Catholics everywhere. All this, and much more – including supervillain how-to’s, Coilhouse paper dolls, interviews, fashion and art await.

Readers of the blog, we have another treat just for you: the fact that the version of the magazine that you are buying here today will not be available in stores. Coilhouse will be in stores this fall, it won’t be the unique version that’s available here. On this site, and on this site only, you can get the uncensored edition. This version includes a powerful piece that was too risqué for stores to accept without problems due to the graphic (and in our opinion, beautiful) images involved. Only 1000 copies of this very limited version exist – a mere fraction of the entire print run. And that version is only available here, on this site. When we run out, we’ll start selling the censored version that will also be available in stores – so get the limited edition copy that we call the “true version of the magazine” while we still have them!”

My deepest and most sincere congratulations to Mer, Nadya, Mildred and Zoe.

COILHOUSE: magazine launch party

from their site:


Held this Saturday at Hans Haveron Studios this event will be stuffed full of excellence. Look forward to:

  • Art, photography & fashion exhibit
  • Refreshments, with Mer’s “special” Electric Lemonade
  • Incredibly strange music
  • Photo booth with weird medical props, straight from Zo’s cave
  • Wall projections of Issue 01 art
  • Your first glimpse at the actual magazine!

    Enjoy art.
    Become art via expert lenses of Polaroid superstar Lou O’ Bedlam and Zo! Style Technician’s own Andrew Yoon.
    Dress your snazziest and bring your friends.
    Everyone’s invited!

    I’m sending Antony as my proxy, as the second best thing to being there, but hell, if I were even a smidgen closer, I’d drop everything to attend. My friends are doing snazzy work and I support them 100%. (And, yes, one day I’ll get around to writing an article, I promise). I hope every single one of you who live down there will go and send me photos! My bleak little heart will break if you don’t.