not going to forget this year, you people won’t let me

“It’s been believed in the past that the camera steals souls. I once thought this preposterous. Now I think it’s self-evident.

This is why we photograph. The fear of oblivion, ours and our worlds. We will inevitably die, but our photographs, if they’re honest, if they show our lives with clarity, unafraid, our photographs will preserve us. Our souls at least. Who we were inside, and the things we saw. Our images? Particles of light that have been traveling forever bounced off our subjects, were focused through our lens into the tender tissue of our eye, and our brain, and our film. Now, those very same shapes, made by those very same particles, the same ones we saw, others can see. Forever, they can see that fraction of a second we saw.

That’s immortality.” -Clayton Cubitt, 2005

Scientists discover exotic quantum state of matter.

May is quickly waltzing into being, every day one delicate step closer, bringing with it spring and, with that, my birthday. Fragile, the social ties holding me to it. Already people have started asking about a party, as I worked through my birthday last year. So once again, and this year I mean it, does anyone know of an appropriate venue for my birthday party at the end of May? My apartment is far too small to hold the 100+ people who will wander through during the course of the day and outdoors, really, is never an option I care for. It’s impossible to foster the security of the microcosm we call a kitchen party in a park.

What I’m hoping for is the kind loan of a house with a yard for a BBQ that won’t mind if we go over-night, preferably with crash space, that won’t mind if we cook breakfast in the morning. Last time our resident Stephen was kind enough to lend us his place, but it has since been partitioned and rented out to people. (I think Frankie‘s girlfriend’s sister or something now lives in the basement, like, just to go to show how small this city really can be.) It was perfect, big, two yards, just off the Drive.

It came out unscathed, too, minus a large pile of dishes in the kitchen we cleaned up the next day, two snapped guitar strings, and, I think, one broken glass. The people I know tend to be remarkably tidy when it comes to parties, we’re not hard-drinking bar-stars with anything to prove, more the sort of argue films and physics over spanish guitar on the porch. Profit: fifteen dollars in returnable bottles, a set of car and house keys no one ever claimed, (I still have them, people, identify them and they’re yours), and some wonderfully embarrassing arm-wrestling photos.

So, please, if this sounds remotely feasible, drop me a line if you’ve got a place or know of one. Let’s see if we can’t work something out.

edit: so far we’ve got the foxy house. anyone else?

Van Burlesque Fest

The Vancouver International Burlesque Festival kicked off with a bang last night.

The show those girls put on at The Red Room was unquestionably the best burlesque show I’ve ever seen. I think I have a crush on one of the performers, Whiskey Rose, she was so much fun.

Between Worlds Burlesque, billed as Genre-Hopping / Era-Dropping / Mind-Popping, was EVERYTHING IT PROMISED. It was a comedy education, a sizzling phantasmagoria of stockings, high heels, and mixed media entertainment. Every girl had a completely different show, highlights of which include a Marlene Deitrich as done by Liza Minelli, a mad punk chicken beheading, a hip-to-the-hop hardcore booty-dancing water nymph, Tristan as a bioengineered Alien Queen, and, my personal favourite, Sexy Little Red and the Raunchy Fun Wolf. Just… wow.

Lucky for everyone who missed it, there’s way more coming, so hold onto your tiny feathered hats, and run on down to check out some of the shows!

Tonight, Friday, April 25th, it’s…

The Evil Bastard International Burlesque Showcase
Start Time: Doors at 8:00, Show at 9:00
End Time: 1:00pm
Price: $20
Venue: The Grandview Legion Auditorium
Venue Address: 2205 Commercial Drive

Performers: Ana de Lara, Bella Trixx, Bettina May, Champagne Sparkles, Ember LaValle, EmpeROAR Fabulous!, Go-go Amy, Holly Peno, Jacqueline Hyde, Midori Colada, Miss Kitty Baby, Ravenna Black, Scandal from Bohemia, Shetan Noir, Slick Moorehead, Star Rising, The Baby Jessicas, The Purrfessor, Stephen Taddei, Urban Improv, and Canadian Content.

If you can’t make it tonight either, don’t fret! The festival runs from April 24th – May 4th.

Full event listings: shows, workshops.

shiny shiny shiny, who’s going and to which?

KRAZYTALK! A Speaker Series held in conjunction with KRAZY! The Delirious World of Anime + Comics + Video Games + Art, May 15th – June 4th.

May 15th, 7 pm
ART SPIEGELMAN, comic artist
Centre for Digital Media, Great Northern Way Campus, 577 Great Northern Way

A major figure in the underground comics movement of the 1960s and 70s, Spiegelman is best known for his Pulitzer Prize-winning comic memoir Maus, which retraces his parents story as Holocaust survivors. Formerly named one of the 100 Most Influential People of our times by Time Magazine, he continues to be a political activist and a public champion for innovative comic book work.

May 23rd, 7 pm
MICHAEL AMZALAG and MATHIAS AUGUSTYNIAK, M/M (Paris), art directors/graphic designers
Vancouver Art Gallery, 750 Hornby Street

Graphic designers Michael Amzalag and Mathias Augustyniak founded M/M Paris in 1992. Their work has been shown in art galleries and museums all over the world, most recently in the 2008 exhibition Vision Tenace at the Centre Pompidou in Paris. Their projects are created in partnership with such diverse designers and artists as Stella MacCartney, Yohji Yamamoto, Douglas Gordon and Bjork.

May 29the, 7 pm
TIM JOHNSON, animation film maker
Centre for Digital Media, Great Northern Way Campus, 577 Great Northern Way

DreamWorks Animation film director Tim Johnson directed the 2006 computer animated comedy Over the Hedge, starring the voices of Bruce Willis and Gary Shandling. His earlier projects include the animated action adventure Sinbad: Legend of the Seven Seas and DreamWorks first computer animated comedy, Antz, as well as the infamous segment Homer3D from The Simpsons Halloween special Treehouse of Horror VI.

June 4, 7 pm
WILL WRIGHT, god of computer game designers
Centre for Digital Media, Great Northern Way Campus, 577 Great Northern Way

Widely acknowledged as one of the most important innovators in gaming, technology and entertainment, Will Wright is the designer of the groundbreaking computer simulation games SimCity and The Sims, the bestselling computer game of all time. Wright has received two lifetime achievement awards from Game Developers Choice Awards and was inducted into the Academy of Interactive Arts and Sciences Hall of Fame in 2002.

TICKETS: 604.662.4717
SERIES OF FOUR PRESENTATIONS: $85, Members and seniors $68, students $34.
INDIVIDUAL PRESENTATIONS: $25, Members and seniors $20, students $10.

go out with a bang, but not, but yes, but no, but YES!!


That 1 Guy live at the Railway Club, April 5th, picture by Keith loh

Last night was stellar! I’ve been getting incredible enthusiastic thank-you’s from all the people I convinced to come down. Here’s a sneak peek of some of what you missed, (but wait, there’s more). There’s one more chance, though! Not all hope is lost!

Tonight! One night only! The Railway Club, doors at seven, show at eight!

That 1 Guy as interviewed by Chris Clark for JamBands.com (2008-03-22):

Mike Silverman is a man of many talents. Beginning his career as a classically-trained upright bassist, he has long since become an individual orchestra, performing a multitude of concise and elaborate sounds with two hands and two feet. Based in Berkeley, Silverman is a fixture on the live music circuit. Armed with the magic pipe (you have to see it to understand), That 1 Guy is undoubtedly one of the most unique and innovative musical acts around. Jambands.com had the pleasure with catching up with Silverman the day before his spring tour commenced to discuss all things That 1 Guy.

Tell us a little bit about your musical background. Where did it all start?

My father was a professional jazz bass player in the 60’s-70’s. By the time I was born; he had changed careers and put his upright bass in the closet. When I was old enough to find it, he was about to plant ferns in it out in the back yard as part of the landscaping (true story). I told him that I wanted to play it. He was just happy to see it getting some use. He was also my first teacher. I got into jazz and classical early on, at about 10 years old. Then rock, funk, punk, blues, etc. My dad always told me that if I played bass, I’d always be in demand because “no one played bass, but everyone needs a bass player”. He was right. By the time I learned where a few of the notes were, I was already in 5 bands, and it never really slowed down for years. That is of course until I quit all my bands to play by myself. Then I invented this other instrument out of steel pipes and don’t play bass anymore at all. Boy, that story has a strange ending. What was the question again?

…to read the rest of the article, click here

culture this afternoon

THE ANNUAL GAMELAN EXTRAVAGANZA

Today, Sunday April 6, 2-5 pm, Robson Square Theatre

Presented by the Consulate General of the Republic of Indonesia.

Featuring Gamelan Madu Sari (Javanese), Gamelan Gita Asmara (Balinese), VCC School of Music (contemporary Sundanese), SFU School of Contemporary Arts Gamelan, and Indonesian students, performing traditional music and dance and new music.

To find them, go under Robson Square, through the UBC doors, then down the stairs to your right.

Free admission (donations for the musicians gratefully accepted)

For the record, this isn’t the gamelan I played with, but the one my mother used to play with.

global initiatives in your back yard

My friends Jill Binder and Kajin Goh are attempting to create a Vancouver chapter for Pangea Day, a global film festival, “The day the world comes together through film”.

From the site: “On May 10, 2008, a 4-hour live streaming program of films & social consciousness outreach will be broadcast everywhere — everyone around the planet will be watching the same thing at the same time. The idea is a movement to promote World Peace through the medium of moving pictures. Films are powerful. Are they powerful enough to cause a global shift?”

If you’re interested, they’re having a meeting tonight at the End Cafe on Commercial Drive, (just north of Broadway SkyTrain Station), from 5:30 – 7 o’clock. I’m told that they are often late to their own meetings, so don’t be discouraged if you don’t see them right away.

Pangea Day Vancouver
Pangea Day on Facebook

funkier than a snake’s banana


Boot Playin’
Originally uploaded by peterkelly.

“Hello Friends

Western Canada, I’m talking to you! Coming soon, a few shows in your neck of the woods! Salmon Arm and Vancouver to be more specific.

See here:

April 4, 2008 – Salmar Classic Theatre – Salmon Arm, BC, Canada

April 5, 2008 – The Railway Club – Vancouver, BC, Canada

April 6, 2008 – The Railway Club – Vancouver, BC, Canada

Hope to see you there!

love

that1guy”

willing to bet this will be fascinating

The Linear Animal
Saturday, March 15, 2008, 8:00 p.m.

Western Front (303 East 8th Avenue, Vancouver)
Tickets $15 / $10 Students and WF Members

Digital media meets the 19th century tradition of paper theatre in this interdisciplinary performance work. A meditation on home and exile, and on the nature of storytelling, sweeping an arc that ranges from Bavaria across the New World and to the bottom of the deep blue sea…

Is it a love story?
Is it Heideggerian ontology?
Or is it just a bunch of cardboard cutouts?

Putting a modern spin on an antique form of household entertainment, The Linear Animal utilizes recent technologies to create a one-of-a-kind performance. Through live narrated voice, live video, and an improvised score of recorded sounds, the story unfolds alongside a children’s train set that circles in front of the audience, carrying on it the cut-out characters of the story. The narrative behind The Linear Animal is one of history, family, adolescence, love and memories; but most of all it is a story that explores different views on the often conflicting and perplexing idea of “home.”

The text of The Linear Animal was written by Andreas Kahre; an interdisciplinary artist, designer, writer and musician who has been involved in the creation of more than a hundred projects with theatre, dance, and music ensembles across Canada. His collaborators for The Linear Animal are internationally recognized media artist, composer-performer and software developer Kenneth Newby, and media and visual artist Aleksandra Dulic. Kenneth and Aleksandra are both members of the Computational Poetics Group at Simon Fraser University, where they specialize in the development of intelligent performance instruments and the creation of new works that combine live animation and music techniques for live performance. David Garfinkle narrates, and Stefan Smulovitz joins the ensemble as a special guest improviser on viola.

down to the roots I save my self

365 day sixty: sailing on the warship munin

Sailing a viking warship is the devil, it made being in Vancouver completely worthwhile for a day. I’m hooked. (I even got to steer). Left, right, the shore didn’t matter. We were in a longboat blackened with linseed oil, carved by hand, with a square sail, red and white. Oh, my soul, I’ve loved those ships since I was a child. I taught myself runes when I was eight, (wrote a book report in them once, got an F), read every Norse story I could get my hands on, can still recite all the myths off one by one, all the way from the start of the world to the upcoming Ragnarok which may have already happened, Freya crying to her white cats as they sped across the sky, all the apples fallen, the giants throwing ice.

I can’t go next weekend, as Dan‘s having me down to Seattle for a house-party, but the weekend after that, I’m going back.

FYI: The ship can’t sail without a minimum crew of seven, so if you’re even remotely interested, please come along. They try to go out every weekend, on Sundays if Saturday weather falls through, and both days in the summer. Prepare to spend approximately two hours out on the water. As well, rowing isn’t half the terror you might think. It’s really quite relaxing, the entire thing.

Meet at the dock behind the Maritime Museum at 11 a.m. Say I sent you.