on a scale of one to ten I’m terrified

It’s confirmed. I’m going to California next week. Work gave me the alright, and Lung bought the ticket to Vegas today. (Where he and Natasha pick me up, then bring me to the Salton Sea). My flight leaves Seattle first thing Monday morning. Today after work I’m hopefully picking up a wee foam mattress from Don, getting laundry done, and packing as best I can. After that, it’s a matter of working as many hours as I can until Friday evening, when David and I are catching a ride with my mother down to Seattle for Robin’s Saturday house-party.

Rent will be tight this month, as will everything else, but the chance is too good to pass up. I swore, awhile ago, that I will never again say no to free travel, no matter what, and this is it, this is exactly the sort of thing I promised myself I would do, no matter how risky or fiscally chancy, because if the offer is solid, then the correct answer is always Yes.

fricking frack: things I hate to miss more than

It’s that time of year again…

12th Annual Eastside Culture Crawl
November 21, 22, & 23

The 2008 Crawl map.

FRIDAY November 21st 5:00pm – 10:00pm
SATURDAY November 22nd 11:00am – 6:00pm
SUNDAY November 23rd 11:00am – 6:00pm

The Eastside Culture Crawl is a free, annual 3-day arts festival that involves artists opening their doors to let the public tramp through their creative studio-spaces, (and sometimes homes), to exhibit work for sale.

“Painters, jewelers, sculptors, furniture makers, musicians, weavers, potters, writers, printmakers, photographers, glassblowers; from emerging artists to those of international fame… these are just a sampling of the exciting talents featured during this unique chance to meet local artists in their studios.

Purchase something that strikes your fancy, commission something to be uniquely yours, or just browse through the studios and meet the artists, learning about their specific works of art, materials and tools, approaches and techniques. This is a once a year opportunity to meet many diversely talented artists and view their creations in the studios where they work. Be part of this exciting event, which brings people from all over the Lower Mainland, and share in the imaginations that enrich our neighbourhood and lives.”

Last year Dillon and I went to a bit of it, and it was absolutely spectacular. Almost endlessly fascinating, as every room contained an entirely new collection of art. 1000 Parker St., especially, as it has the highest concentration of artists. (Though there seems to be more paintings of crows at 1000 Parker St. than there are actual crows in a fifteen mile radius of the building itself. Go figure.) Thankfully few studios were devoted to watercolour trees or flowers, instead it was a little like coming home, exploring every room as new, colour-spattered, welcoming universe. Last year there were over 300 artists showing. This year there’s going to be more.

It’s one of the few Vancouver events I consider unmissable, which is why it’s killing me a little that I’m not going to be in town while it’s happening. Instead I’m going to be in Seattle, and then hopefully on a plane, making my way South, towards Lung and the Salton Sea, the ecological disaster desert west outside of L.A. Take pictures, everyone. Attend, discover, and explore.

though I like whoever carved I LIKE FOOD into the Kamloops bus-station tree

The interior of BC is a funny place, a reclusive mix of unassailable nature speckled with tiny towns that call anywhere with a strip mall a city. The communities there aren’t like the spindrift of settlements that line the coasts, they’re far more stubbornly isolated. Trying to find a connection to the rest of the world proves difficult, and asking after the internet gets you Looks. I wonder at the youth of these places, why they stay, why so many don’t wish to escape. There’s so much planet to explore, and they could always come back later.

under the floor are the rats and mouse

affirming

We held hands on the bus a lot our first day, as we travelled into unknown relationship territory, glad, fried, tired, and scared. As I said before, our trip back east was truly make or break. We would either come out of it with a lot of our problems fixed or we would come out of it as single people, ready to give up and go our own ways, understanding that we were just not that compatible.

Today we got up, and David made French toast for us while I processed pictures of our trip. Nicole came over, then my mother Vicki, then Ray, to share breakfast, to give presents, (I gave Vicki an orange keyhole scarf for her birthday), and paint the spare room. Our home is ours, and it is a social place, vibrant, with cozy pets and enough comfortable throw pillows for a small army of interior decorators to attack an encampment. (I have a bit of a problem, actually. I just can’t say no to awesome little pillows.) We are a we, stronger for having been forced together with no escape, stronger for spending some days inescapably without any contact. Whatever uncertainty we had was blasted away by the proof of our survival. There are a lot of reasons we shouldn’t be together, but not enough reasons or strong enough reasons to break us apart. Looking at him now, as he examines some of the terrifying things in the fridge that Karen left behind, while our friends are painting in the other room, helping our apartment become a home, and we all listen to my mad, wonderful ex-boy on the stereo sing and play an electrically wired cowboy boot, I’m glad he’s here. I’m glad I found him, and I’m glad I found me.

hold it down

Moonhead, by Andrew Broder:

did you hear the one about the day the moon fell to earth?
it had a crater exactly the size of a human head on it
and it landed on my head and now my head is the moon.
or the one about the day a thousand lives from now

when we return as a team of archeologists
and discover fossils of ourselves in a former life
on the day we spurned our nervous twitch
and found our yearn to hint at winter bliss.
on the day the stars sang the national anthem of sweaty disbelief,
of coelacanth teeth, to scream loud enough
to shatter the roof of a coral reef
and the shrapnel ground up into paint
for robin’s egg colored dream and root beer float,
second hand flavored drool absorbers
and the words “hope” and “home” that sound the same,
smell the same as the day the doe caught a sad snowflake on her
tongue and melted it in an instant
and it tasted like the blackhole’s wild-eyed longing for light,
whether from the starts that radiate
or the planets that reflect it or the eyes that reflect the reflection,
or the eyes looking into those eyes and seeing the reflection of the eyes,
which if all goes according to plan,
will outlast the universe itself.

..::..

Lung is talking about bussing me down to Las Vegas to meet with him and Natasha somewhere near the end of November, and then traveling with them to the Salton Sea, finally to pick up the letter Kyle left there for me sometime last year. As November closes around me and the sun drowns in fallen leaves and crowns itself in flash flood puddles that mirror the endless gray sky, it feels less like a blessing and more like a fairytale already told, like somehow I missed it between one blink and the next, as if these places never really exist, but only hover over pages of books and mimic the careless sheen of photographs, haunting our collective conscious in a waking haze of forgotten days as long as winter dusk.

Out there is the storm, strangely calmed, another twist in the river, another chapter of life. Here is a pool of known days, painting, adjusting, David job hunting, tinkering with very little, watching a movie at home every two days. I’ve said yes. Of course I’ve said yes. I’ve missed Lung, his crackling humour, sharing our puzzle-piece twin set of anger and frustrations. There is no other answer. Now it rests on my workplace, if they will let me leave for a week, to work away for five days. If it all works out, I’ll bus down to Seattle after work on the 21st for Robin’s party on the 22nd, then catch a bus to Vegas from there on the 23rd. My fingers are crossed, my fingers and my heart and my bones and breath. My hope is an elephant living deep inside the cage of my chest, pressing against my skin, forged out of a cello’s long humming strokes of sound, invisible until an answer arrives.

Until then, I won’t know myself. I’ll be a string of notes without direction, as crazy eyed inside as unexpected blood on the hands, a tight rope walker with her lover on the other side and a den full of sharp toothed, hungry lions below.

Meanwhile, Antony and I are e-mailing back and forth, a piano falling from the sky. There’s nothing quite like home. Apparently he arrived in Montreal just over a week after I left, and he’ll be there until half-way through December, far after I would return from the south. Tag, you’re it. Unexpected, how life plays these games of just missed, all the way through, both directions. If he sends me his address, I’m going to try and make sure he gets another palm tree, to keep in touch.

Some times I am lucky and an entire week can go by without missing his laugh. I wonder, occasionally, that I am so changed within since we met. Given all that is fixed, will I ever want to be able to walk away again?