I’m going to dance on my own grave

Vogue, December '05

A ghost slid into bed this morning and placed a little kiss on my lips. He was cocaine pale like a stone and as smooth as if water tumbled. I frowned and turned my head, the dead are not welcome in my bed, but he was persistent. My body began to hold the smell of suicide, of unhappy older women trapped in elevators. A long way to hell, I thought. The distance between his chilly hands and the last button of my shirt. The dead are clever, they orbit the lonely like satellites. They are a constant undertow trying to drag dreams too deep, close enough for them to touch. They promise success, but deliver only the cold light of the television. And this one was trying to take off my shirt.

The other side of time, I might have let him. The static song of his seduction was soothing, calming as a technocratic lullabye. Instead I opened my eyes, reached out my hands, and tangled his wings with the wire and string of my hair. Ghosts are small, collections of mental bacteria built up over uninteresting lives. They are usually as romantic to the eye as a plain white t-shirt. Capturing them is only difficult if you believe in angels and I am too old now. All my bridges with mystery were burned a long time ago. Sitting up, I examined the glow I caught. His eyes were a building tumbling down, a video clip on constant repeat, surrounded by a halo of jasper. A city creature then, sailing his ship through history. I wonder if he regrets how he survives. The lives he must have crept into as a memory, the ambitions and aspirations he’d cruelly siphoned off paper hearts to live off. I swear they have intelligence. Some inbred understanding of language, built layer by layer as they accumulate.

Romance lasts little over a year, Italian scientists believe.

she is so pretty, so pretty, yes, like I remember, oh milk, they gave me milk, like pixies, a thousand names, pale like I am now, but to live, oh pretty, fire, flame, smoulder, a lamp dying, oh to touch, rain, blood, she burns, a spoken word, glimmering, pale like crystal, her skin, give me, please, her skin like milk

Kiss may have been fatal.

There are small silver scissors next to the bed. I take them and cut the ghost from my body. It’s still whispering, wrapped in my hair, waiting to wreck the party, but quieter now. I’m beginning to be awake enough to think. I lie back in the bed and watch the steel gray dawn coming in. Last night’s phonecall was me drunkenly walking a crooked line. I remember every word he said, how he’s busy lately, how the world is spinning too fast for a visit. His absence must have been broadcasting as loudly as teenagers flirting at a check-out counter for the ghost to have found me so recklessly easy. It’s either merciful or frightening to think that the slippery sound of my heart is so enticing. Maybe I should use some of those orange pills in the cupboard.

In the kitchen I find a jar the size of a fishbowl to put my new pet into. I spit into it and punch holes into the lid with a fishing knife before dropping him in with a crumpled page from one of my favourite books. The words reverberate and the paper begins to decay softly around him as he makes a little bed. Another happy ending ruined. The idea scrapes at the embers of my ruined evening and fuels my inner annoyance at how easily I push over. If I were a better person, I would stand up for myself, pound on the stubborn shore at the ugly sea that’s been drowning me. This is what I tell myself as I pour myself a glass of water. I pop the pills and notice the ghost is glowing brighter. Feeding him with my saliva was a good idea. Keeping him around will force me to resist the urge to burn this place down.

when the storm takes over

It’s like waking up next to a lion. A lion who likes laughing.

The fog has been here a week now, so thick that it seems almost possible that if could just reach your hand a little farther, you could grasp handfuls of it to eat from the air. Breakfast was a small paper bag of profiteroles from the bakery next to the laundromat. Cold cream explosions draped in dark chocolate. Breakfast was walking through early morning fog, wondering at all the people who were already awake enough to be beginning their day, as if nine in the morning were entirely a normal hour. (Benn being one of them.). Now, yes, I know I used to be like that. I quite liked my nine to five. However, this does not erase the fact that my mind instinctually tells me that eight a.m. should be possibly banned by law. When the sky blushes, embarrassed to be rising so naked, then you should do it the courtesy of hiding your face in some coverlets. Otherwise, disservice and a pox on your house.

I love for the years he has on me, the time he wears so gracefully in his silver hair.

  • Manic depression scientifically linked to creativity.
  • Flickr claims they are only for photographs, bans pictures, illustrations. …damned yahoo.

    Sara came over after I and I and others went up the mountain, scared for her future. She’s searching for a purpose, just like all the other humans. We’re mammals with opposable thumbs who tell time with blood. In my more empty evenings, I would argue that meaning might be a bit beyond us. There’s people like Katie, who blows stars into being, and I know she’s as lost as the rest of us.

  • Vancouver Rhino Party seeking people with fictional languages.

    This was in my in-box when I got home:

    I walked out, into the cold fog, and looked back.
    I always have to look back.
    And there she was, the Sphinx standing in the firelight, standing in her cave.
    For a moment she was there and then, like grains of sand in the wind, she blew away and I realized that not only had I failed to answer correctly, I had missed the riddle.

    She had lain the opium of her body upon my lap, my eyes and arms drew her into my blood, making dreams of my senses and in the reverie of my answered prayers I forgot to hear hers.

    reminder: KEEP JHAYNE FROM JHAYLE -a party of proportion- #340 – 440 west hastings, Friday, November 25th, 9:00 – onward

  • it’s been a busy week


    derek
    Originally uploaded by Foxtongue.

    Last year, they said, they were crying. They didn’t know what they were doing, if who they were was worthwhile. I can’t imagine why. They haven’t told me yet. Last year, I was so happy that I ran instead of walked. That my feet were faster than my thoughts. Last year at this time, the boy I was trying to be in love with, he was so far away that I couldn’t sleep, knowing that we were living in the same time-zone wasn’t enough. This time last year, there was a painter. He would trace my body like a sculpture and we could never find enough to talk about. We were just tying up loose ribbons of who we used to be. It was enough. This time last year, I was up until early morning because eight hours difference was perfect. I used to watch the dawn lick the sky when I was talking in fingers. Last year was freedom before I went to L.A.

    This year, I’m going to Montreal. The play I was in has kicked me out for it. I will be gone too long, nevermind I have my lines and planned on forcing Michel and James to play parts for me to work blocking around. I understand. Time is time, and it’s unreal. It only stops in hotel rooms. (It’s like my childhood didn’t exist). This year, I’m pearlescent with the heat of events hitting me, like if I were into that sort of thing, I wouldn’t sit down for weeks. Winter is upon us, fog has eaten the city for three days. Thick ashes of potential rain billowing across every street, erasing the world in portions of thirty feet.

    I walked past a murder scene at two in the morning on Saturday(Sunday). It unfolded like the pages of a book, every increment walked giving me another details. Trees coalescing into police, all the sounds of the city being replaced by a constant quiet chattering buzz of ear-beads and car radios. No one was talking. The street was lined with officially identical cars, every one empty with a laptop glow.

    Last year, they said. Last year, what? Everyone has little stories, it’s our dream. I want to collect them all and make them matter, but I have no idea how to do that. Last year I was living, this year I haven’t been. Last year turns into this year, but when? There’s some period of time, like how August brings change. I think I’ve been partnered, but all I know is that I’ve a lover. I think I’ve found family, but instead they were tribe. I think I’ve found my friend, but I’ve been introduced by others as their significant other. Instead of meaning, I’m just watching. Hoping with a terrified heart that they still like me, that I’m not the imposition that I think myself to be.

    winding up in the sort of movie that middle aged women would take me for the hero


    city glance
    Originally uploaded by Foxtongue.

    I wish you were here in my empty bed so it would not be so hollow. It’s been filled with clothing to mimic the twisting forms of company, but last I checked, sweaters don’t talk. They don’t try to keep me. I wrote once that my sheets felt like sand, that if I were to turn over in the middle of the night, absence would hit me like a blinding storm. They’re doing it again, right now, with this soft music playing that reminds me so much of your hands tracing my cheekbones when my glasses are off.

    because

    You are small beautiful simple things, like a line perfectly written, the only one in the novel that you’ll bother to remember later, but when you’re away is all the time. It reminds me of the time I missed someone to death. When it happened, my pillows and blankets quivered, shuddered, and stopped breathing. My heart was dazed, dropped from a great height, and I have yet to recover its wings from the wretched broken mess of glass shattered connection.

    because

    The shape of you fills with mistakes when you are not around to fill in. The secondary characteristic of your absence is my dwelling on how much I can’t deal with it. When I’m missing you, your smile bleeds out of my mind, to be replaced by how often I sleep alone and never with you. You right now are someone else. A heavenly creature I don’t know, who sacrifices something that looks like my integrity to an altar I’m not allowed to approach or respect.

    because

    Then it slips out, my joan of arc moment, seeping through the cracks in all my routine and argument. It’s the pattern. You cut here and put these seams together. You prick your finger on the pins that have somehow found themselves between your lips. My fear is a foot on the pedal, the sway and yank of social fabric. I’m uncertain. I can’t wear this dress, it’s heavy and the embroidery’s just tacky. Not already, not so soon, but then your voice is crashing into me. I’ve been tackled by a thousand foot wave of feeling like myself again. You push me up to the firmament.

    Tonight I thought I saw you standing on the corner of that memory, just enough out of vision that I could place you where I wanted to. It was a conversation about skin, about nerve endings. The technology that craves contact. Our first hint of compatible loneliness.

    what’s broken will keep us safe


    lostatsea
    Originally uploaded by avolare.

    we show up on front lawns at eleven
    in the morning
    in the evening
    afternoon
    what could you see in me
    this is embarrassment and some
    pained looks
    they’ll have to explain now
    it’s like a fear of intimacy
    we can’t be their friends
    we might slip up over dinner
    and move them
    their hands and our
    bodies loved but rejected
    we would cry and come inside
    tidy places, these homes
    they hide us in the piles of paper
    and always remember to let us
    straddle them on top
    because that way they get to remember
    our breasts a little
    better than in
    that photograph

    my sweet damaged heart


    michael thompson
    Originally uploaded by Foxtongue.


    Lithium Picnic, my desktop.

    Escape is four. Walls, edges, connect three and the angles are wrong. Four is compatible with fire. Two places to hold you, for you to hold me. Four. Boundaries make up all the most beautiful things hemming in this screen. // When they speak to you in whispers. It feels so right, but you’re not in the story. Voice falls quiet from fear. // Hush now, cradles rock, it’s picking a fight. I can’t change this. The farther in I see, the less I understand about how I’m pulling. Noticing little things. This is a refuge. I’m not wrong, I’m on this list. I recognize the objects that feel the same from partner to partner. This is where we come to write, all of us, music or language or pieces of memory. Eighteen inches from the computer, everything we need. All our pills. All our letters encased in plastic chunks of communication. We’re so human. It hurts me when I’m lucid. Damn lucky I’m not.

    Tom Baker out-takes from recording a voiceover for a commercial. Many thank-you’s Warren.

    this is an oldest story


    sarah boyer – freshmeat
    Originally uploaded by Foxtongue.

    I have found my laughter from where it was hiding. This time, for the very first time, it’s allowed out of the closet with tears still in its eyes. When I grew up, I grew up in a strange canadian cultural vacuum. I would stare out the window of the truck at all the houses gliding past and wonder what real people had inside thier houses. What was on the other side of so many doors? I lived in hotel rooms and on some basic level, they’re all the same. Clinical transiency. Fake flowers, soulless bedspreads that match the thick ugly curtains, television remotes that you either find next to the miniature fridge or bolted to the table. Cable is an option, but there’s always an ice machine that clunks in the middle of the night. I used to pad out into hallways and sit against them sometimes, because it was a light I could read by. Anonymous. The trick is that they’re always anonymous. The furniture is not your furniture, the life you live within those walls belongs to no one. I grew up being not real people.

    My body jerked me across my bed when I woke up this morning. An unfamiliar hand had touched me on the shoulder. Left over reflexes I really should work on controlling a little better. I was up late, reading, unable to think about my tomorrow. Too many things. I have a livingroom picnic this afternoon with Brian. We’re putting down a blanket and making sandwiches. If I was a better person, I would suggest we pretend we’re on a beach somewhere, but I’m not. So I won’t. Breakfast today with precious friends led into a pleasant walk up the drive and some actual grocery shopping. It’s like my world spun around. A smile has been affixed to my face. Someone I don’t know stopped me on the street on my way home with my bags, “I see you all the time on the drive, but I’ve never talked to you, but today I felt I had to say something. You’re really pretty when you’re happy”. He was my height, with dark brown hair and a slightly crooked baseball hat. I wouldn’t recognize him again.

    come back to my spiders web of beautiful things

  • the conditions in Iraq for subcontracted workers under Halliburton.

    Doing sixty downtown, she’s going to be late for work, but the view reminds her of other cities.
    How the lights and by-ways of freeways work, how it’s strange now to see them in movies.
    I was there, she thinks, and that place, and that one. She can’t see a street she hasn’t walked on.
    The lights of the car behind them catch her eyes in the mirror and she turns her sight to the driver.

  • 85-year-old Seattle woman recruited by marines.

    A man in an orange hoodie picked up a sodden page of junk mail from the street and lay it across his shoulders like a cape, then rushed us. Dominique cried out, “hey look, there’s superman.” and I smiled, but didn’t feel like laughing. I was too tired, too worn by my day. I should have been home hours before, but the circumspection of social maneouvering left me outside. We had just been at a half-empty nightclub, trying to dance to eighties music. Dominique knew all the words. I didn’t. I barely recognized the music and none of the clientele. The rules of the dancefloor were strange, with not enough people to keep any cohesion to the space. Without warning, one might find themselves suddenly surrounded by the small group of japanese tourists or being threatened by the tiny elbows of the tottering girl in the corset who was trying very hard to be something. What, I couldn’t say. Only with Rick and Dominique was I comfortable. I sat on the side for a little while, watching everyone and feeling slightly too cliche to actually be doing what I was doing. I pulled out my book to write in, but decided instead to pull out my camera and threaten Rick with pictures. I shouldn’t be writing what my brain was trying to think.

  • U.S. Air Force testing new transparent aluminum armor.

    Vast layered conversations spanning six topics at once. She should find partners who speak like her.
    “I swore I wouldn’t do this again, but I think I’ve figured out why I’m going through with it.”
    She’s referring to three people. She’s referring to keeping a secret and possibly telling lies.
    She’s explaining why and who and when without them.
    “I wasn’t raised to believe in anything. I never expected to encounter something sacred.”
    Words, meanings. The resolution of a two puzzles pieces finding conclusion.
    He replies, “Religion was never something I had a use for, but sometimes the vocabulary is right.”
    Confirmation, a deduction of between the lines.
    The same path, but one person facing backward, one person blind.

  • U.S. finally gives up on upgrading missile defense.

  • Plastic, a new proposition. I remember that stuff. It sears.


    Another Japanese Tale
    Originally uploaded by Simon Pais.

    Cold one o’clock in the morning. An idea. I’m sitting on the rim of my bath, suddenly overwhelmed by how tired I am, staring into nothing. This is alone with thoughts, head tilted, leaning forward, hands on knees. This could be a portrait. Controlled tense, muscles for blood flow. It’s chilly. Toes, hands, working inward from the edges. Inside my shoulders, underneath. Hold, two, release, two, next. Madness in the family. The inclination to sell the soul for not enough. I touched teeth like gamelan bars with my tongue. Ping. Tense. The thought. The idea that affection is tied to appreciation. A skill. A factor attached to how our eyes cried. There’s something different, of course I’m allowed to trust this one. That’s the trick. Hands out, fingers stiff, concentration focus, the smaller groups of muscles. The long curve of inside wrists.

    “In the further the tower becomes a favourite place of condemned men and jumpers with a parachute.” The pigeons are awake.

    A place to kiss sixty cycles of vibration remembering your name. That line again. Wrapped in memory, sporadic, thick. Eyes close and grin. The girl response, duck of the chin, eyes and pulse. How long and far and quick and deep and how very little can we ascribe to meaning but this. Question, query, I stand with joints popping, sinews complaining of the temperature, the lack of movement. The culmination of decision. Toes curling, protesting the artic linoleum. The idea. Standing, the mirror lowers into view. This can’t mean as much as crying.

    Hypothesis: It’s all about commitment. Not the theology of the reluctant dutiful, but the soul threshing terrible awe. The trick now might be to build a time machine or a portal to another dimension. One where our shadows have as much substance as life.

    I caught myself purring at work today. I was late, over so, but under by chance. Early, but not as early as I should have been. Another girl reached out from under my skin and stretched, breaking a film that had coated me. Commiseration should have limits. Same denial. If this is breaking apart, it is slow entropy, and better for it. There is a term for this similar to crawling through ashes. Another culture would say it’s a crime.

    This may be the healthiest undertaking since I lived home, a third a continent apart from this.

    With apologies to Max Ehrmann as initially I was only trying to remember the Desiderata

    I don’t know you, but we refuse to go placidly amid the noise, which is good. For once, the haste is ours. I warn you, however, this is familiar; how I bring joy. You’ve crawled into my life smiling with a whimper and the promise of bang, both unexpected, and I find myself bound to your responsibilities because I like you in spite of them. Unexpected is understatement. You steal what I steal and replace it with truth spoken quietly with affection. We avoid the loud and the aggressive, and violence escapes us, vexations to the spirit, except in our hands clutching at each others hair. That knowledge is comforting to me. If you don’t look to force your religious opinions or your political surfeits upon others, than I will keep respect in my heart warm and welcoming and stand with you as far as possible without surrender. As long as those traps remain empty, it is not my business how you continue your life apart from me. As long as there is love there, I need not concern myself. If you choose to adopt a child and raise it, you have my utmost respect. My concerns will remain with myself and I will offer as placid a pool as possible and attempt to rinse myself of my frustrations. If you choose to raise that child into a specific lifestyle, that’s fine, as long as religion is not an excuse for intolerance. You are already braver than I. (When half a million people led by their religious leaders gather in a 21st century city to protest a law that gives opportunity for two people who love each other to raise a child, it gives me pause as to whether this is a world that I would ever want to introduce a child to.)

    I am usually complicit in the world, not comparing myself to others, for there are always be greater persons than myself in my estimation, and I make every effort to know as diverse a group of people as I possibly can. Diversity brings the new, insights and experiences that I would never have discovered had I remained wrapped in my own existence. But fundamentally, I don’t know why you like me. My mien’s been trampled, there are only a fistful of similarities left; we are on good terms with most people, we find good humour in the world, we listen to others, even the dull and the ignorant; they too have their story. My skeleton is not made of such fine stuff as yours, it was spun messily and without comfort. I feel outdistanced.

    My employment leaves much to be desired, but I do my best when I am present, however much I would wish to be elsewhere. When I leave, I wish to leave a positive impression and a place where I remain accepted. The world is a frequently hostile place, I want to have as little negative impact as possible. If I am to raise my voice, it should be to combat intolerance and promote distinctiveness. It is my own blindness to virtue that gives me discomfort where I’m positioned, not a lack in the striving industry of local friends. I want that as clear as the happiness in your eyes when you see me smiling back at you, granting without cynicism that you are not enough for me to stay as much as I am not enough for you to leave. In my adoration is hard knowledge sharpened on ‘I should have known better’ that states with great clarity that there can always be another human being to capture me, that there are enough souls alive to capture you as well, that we can’t find ourselves alone unless we choose to be, for in the face of all aridity and disenchantment, it is as perennial as the grass. I was not raised to be a child, though I had a right to be, instead I was raised to be strong in spirit. It may yet save me, but not from you. You are a piece of the universe unfolding the same way I am. It would be a gift to let go of everything I hold so tightly, but I don’t know how.

    With all its sham, drudgery, and broken dreams,
    it is still a beautiful world.
    Be cheerful.
    Strive to be happy.