absurd and macabre, the eccentric work of Kris Kuksi

Kris Kuksi – “Lust and Self-Abuse” – mixed media – 29″ diameter – 2007

I’ve posted about this uncanny art before. It’s beautiful, bizarre, elaborate, and morbidly embellished. What’s there not to love? It’s time to reacquaint ourselves with his outlandish and perverted sculpture! Especially, as lucky for us, Dark Roasted Blends has an illustrated interview with Kris Kuksi.

my current desktop

kuksi-sculpture

Kris Kuksi – “Lust and Self-Abuse” – mixed media – 29″ diameter – 2007

I find few things in life sacred, it’s rare I remember awe, so when I find it, I have to share it. Put aside half an hour and click on this link. It’s intense. His art inspires me with something I imagine is akin to religious awe. The detail is overwhelming, an arched back of wicked creativity drawing the eyes to a thousand unique and interesting places. This is the work of an angel and devil both, someone blessed with more than I could ever imagine. My words are ashes.

Once seen, perhaps never forgotten

May I present to you, a “Monument to Pro-Life: The Birth of Sean Preston“:

A nude Britney Spears on a bearskin rug while giving birth to her firstborn marks a ‘first’ for Pro-Life. Pop-star Britney Spears is the “ideal” model for Pro-Life and the subject of a dedication at Capla Kesting Fine Art in Brooklyn’s Williamsburg gallery district, in what is proclaimed the first Pro-Life monument to birth, in April.

Dedication of the life-sized statue celebrates the recent birth of Spears’ baby boy, Sean, and applauds her decision of placing family before career. “A superstar at Britney’s young age having a child is rare in today’s celebrity culture. This dedication honors Britney for the rarity of her choice and bravery of her decision,” said gallery co-director, Lincoln Capla. The dedication includes materials provided by Manhattan Right To Life Committee.

The monument also acknowledges the pop-diva’s pin-up past by showing Spears seductively posed on all fours atop a bearskin rug with back arched, pelvis thrust upward, as she clutches the bear’s ears with `water-retentive’ hands.

Capla Kesting denies the statue was developed from a rumored bootleg Britney Spears birth video. The artist admits to using references that include the wax figure of a pole-dancing Britney at Las Vegas’ Madame Tussauds and `Britney wigs’ characterizing various hairstyles of the pop-princess from a Los Angeles hairstylist. And according to gallery co-director, David Kesting, the artist studied a bearskin rug from Canada “to convey the commemoration of the traditional bearskin rug baby picture.”

The Animaris Rhinoceros Transport is a type of animal with a steel skeleton and a polyester skin. It looks as if there is a thick layer of sand coating the animal. It weighs 2 tons, but can be set into motion by one person. It stands 4.70 meters tall. Because of its height it catches enough wind to start moving.”

Watch the video!

There’s more at strandbeest.com.

Itconversations.com has a session with Theo Jansen, the creator of these wondrous wind-powered walking machines, at Pop!Tech 2005 here.

The Machine, a short story by Joey Comeau of a softer world.

I leaned over the pool-table at Joe’s Cafe and while I carefully lined up my cue with the ball, I unexpectedly felt like I was a copyright infringement. That someone more deserving had done this exact thing, but had made it art. Shaken, I missed my shot and tried to shoo away my strange thoughts. I was in the wrong company to be attempting to discuss such ideas away. Robin isn’t educated on the right topics and Shadow, Ducky’s brother, doesn’t even have a computer yet. Instead I stood and looked over the poor constellation I had offered the next player. I counted the balls left and questioned colour as a concept. “It’s lucky all three of us suck at this, hey?”

Katie‘s started to take pictures wearing her holiday present.

This is the day I was hit by the truck three years ago. I had killed the hot seed of a child in my womb a month before and where I stained my skirt when I skid along the road, the blood from my bone bare knees mixed with blood from that left-over wound. The snow, that sensation, was so light and soft that it felt like it wasn’t real. My arm was fire and my eyes had met those of the driver a disturbing fraction of a minute before I turned and jumped into the air. My intention was to slide along the hood of the truck, but the snow, that delicate snow, it caught on my shoes. I slipped.