contemplating a curse

Bewilderment and sorrow, that simmering concoction, like the aftermath of a murder or the first realization that roses have thorns. I pause, uncertain, blindsided again, memories stirred up, silt from the bottom of the dream-jar. My hands begin to move again, measuring out words, a confused reply, drained of the smile I had been trying to communicate. It is sunny outside, sweetly bright for the first time in a week. The sky is finally open. I had tried to share, some silly self-mockery about depressive dinosaurs and poetry, but the conversation flipped in their beautiful mouth. An invocation of sharp stones, a sudden grappling hook to the chest. Changeling child, fierce, erratic. I remember this, the sound of the crack as my ribs pulled apart, so true it felt like I should carry the scar on my skin.

Those cruel fairy woods are a dark place, laced with private, uncanny paths that I cannot follow, paved with accusation and marrow deep mistrust. I am left behind. The ways in are a mystery. Those roads too foreign, too strange. All I can do is apologize, blindly, astonished, and reach out as they vanish. Perhaps I am capable of some last, impossible action that might save things, a spell, a sacrifice, a gesture in the air, but whatever is needed is not something I know. Too soon, too late, they are gone. The door between us has shut. I am still a moment longer, waiting for what? Inspiration, a cascade of light, even partial understanding, but I close the computer still wondering, wandering among ghosts, no wiser than before.

Outside, at least, the sun continues to shine.

it hits me

Christina's World, (1948), by Andrew Wyeth

When I say that I miss you, I mean that I saved the flowers from the wedding that were worn in my hair, dried, delicate, fragile things that they are, so that some day I might give them to you. When I say that I think of you, I mean that your absence fills a hollow the size of the sky, that it took me six months before I could say your name, that your ghost is my shadow and that my shadow is your ghost, senseless, perpetual. I lean into it like the wind, like a sunrise dismantled, diffused throughout the air. I have not yet been anywhere that I did not wish you there too, have not seen anything beautiful I did not wish to share. You were my first photograph of the year, wrapped in a towel, frowning at breakfast as if trying to fathom the secrets of the universe. It shows every time I sit down to work, a burning reminder of your affection, once the essential electricity that let my heart beat, and the words you spoke at midnight, the words that carved into me as deep as the marrow of my bones.

The painting in the picture above is Christine’s World, by Andrew Wyeth. I like it so much that a postcard facsimile of the image was the only thing I brought home from MOMA, where it is a part of their permanent collection. The woman in the painting is Christina Olson, who suffered from polio.