adoxography

“We are like sculptors, constantly carving out of others the image we long for, need, love or desire, often against reality, against their benefit, and always, in the end, a disappointment, because it does not fit them.”
— Anaïs Nin

Part of me knew I would never stay, that every moment should be crystallized in amber, trapped like the genetic blueprint of actual happiness, ready to be cloned by some mysterious future tinker, lamps for sale, the escapist cry under the window, rub the brass to recall a broken sugar landscape, an electric vision of what it was like to be young and finally glad of life. Every atom shining. Quotations and fabricated salvation, the canned replies of pop song poetry, always and forever, forever and always, roses are red, except when they’re dead, the way our footsteps matched in time, the way our voices rose together, the silliest song, that tricky bit with the bridge. In the back of things, back on the beach, my body still lay crumpled in a street, left where it had been dropped, a life abandoned like an unwanted chore. At the core, even as I found a place to walk forward, it remained the death of my joy.

Prelude, fast forward, in fine literature they refer to it as foreshadowing, (three times before, midnight gypsies knocking at the door), a trivial divergence blossoming into the most expensive explosion, blinding as a blow to the skull. Divergence, silence, a rough handed, hard, concrete truth I had tried so hard to ignore, that trust, at the base, is a wretched and foolish game. No matter how far I go, it will still be towards the funeral of my dearest friends. Every tomorrow will come, but the sun will be no more. I have been amputated. My heart no longer alive as a vessel for golden light.

“Listen”, the line says, “I never dreamed I would learn to love you so.”

Love is Like Life but Longer from Poppy de Villeneuve.

-::-

From Portuguese – Saudade. According to Wikipedia:

“…a feeling of nostalgic longing for something or someone that one was fond of and which is lost. It often carries a fatalist tone and a repressed knowledge that the object of longing might really never return.”

Photographs of you make my heart hurt, as if I miss you the way I’d miss my second self lost in an accident, as if my heart is no longer a gift, but only a muscle slowly closing and unclosing with a strength too small to taste, too unhappy to sing, a shout in a room that will never be heard. This is a funeral, a year as hungry as an empty highway, a broken radio, days numbered, months stretching into false dusty infinity. Every morning I wake up the same way, watching for reality, waiting to be. I was there, where were you?

She opens her bitten, rose-petal mouth and rain drops spill out. She opens her cloud blinded eyes, now the colour of steel locks, and the sound of torn paper falls from the air. (Your city is still carved in the nape of her neck.) Walking out of sunshine, a stolen, wilted flower in her hair, into life the texture of bone, there was something about his smile, eyes always as bright as unexpected lightning, something about his body standing cynically by the side of a road, that was held sharply enough to slice through glass.

There are certain roads I hesitate to step foot on, the same way I try not to look down your street, as waves of pain constrict my soul, as I resent your vacancy, your undeserved intrusion into my life. Memories float to the surface, all wax on water, like bruises swollen with a tender, fierce regret. Should I have come out swinging? It was unnatural how fast you turned, changling child, honey tongued fairy fire, a shape-shifter in the clothes of a friend. You were faithless, even as I relied on you, a star that burned a dirty hole in my trust, the deep-language reason my laughter started to feel so much like lying.

I don’t want Romance or Monopoly, I want Reciprocity

An excerpt from Madeleine L’Engle’s A Circle of Quiet, (Crosswicks Journal, Book 1):

There have been a number of times during the past years when one of my “children” has come into the library, puttered around the bookshelves until we were alone, and then sat by my desk to talk about love: should I sleep with him? does he love me? is this girl just having me on? what do you really think about marriage? every boy you go out with expects you to make out, all the way; the girls want anything they can get out of you, but I think this one is different; how do you know if you’re pregnant? my parents don’t like her, they think she’s a tramp, but she isn’t, and I love her.

They really don’t want me to answer their questions, nor should I. If I have not already answered them ontologically, nothing I say is going to make any sense. Where I can be of use is in being willing to listen while they spread their problem out between us; they can then see it themselves in better perspective.

But over the years two questions of mine have evolved which make sense to me.

I ask the boy or girl how work is going: Are you functioning at a better level than usual? Do you find that you are getting more work done in less time? If you are, then I think that you can trust this love. If you find that you can’t work well, that you’re functioning under par, then I think something may be wrong.

A lovely example of this is Josephine: the spring she and Alan were engaged, when she was eighteen and a sophomore at Smith, they found out that they could not possibly be apart more than two weeks at a time; either Alan would go up to Northampton, or Josephine would come down to New York. She knew that she would be getting married ten days after the close of college. And her grades went steadily up.

The other question I ask my “children” is: what about your relations with the rest of the world? It’s all right in the very beginning for you to be the only two people in the world, but after that your ability to love should become greater and greater. If you find that you love lots more people than you ever did before, then I think that you can trust this love. If you find that you need to be exclusive, that you don’t like being around other people, then I think that something may be wrong.

This doesn’t mean that two people who love each other don’t need time alone. Two people in the first glory of new love must have great waves of time in which to discover each other. But there is a kind of exclusiveness in some loves, a kind of inturning, which augurs trouble to come.

Hugh was the wiser of the two of us when we were first married. I would have been perfectly content to go off to a desert isle with him. But he saw to it that our circle was kept wide until it became natural for me, too. There is nothing that makes me happier than sitting around the dinner table and talking until the candles have burned down.

I have been wondering this summer why our love has seemed deeper, tenderer than ever before. It’s taken us twenty-five years, almost, but perhaps at last we are willing to let each other be; as we are; two diametrically opposite human beings in many ways, which has often led to storminess. But I think we are both learning not to chafe at the other’s particular isness. This is the best reason I can think of why ontology is my word for the summer.

A Russian priest, Father Anthony, told me, “To say to anyone ‘I love you’ is tantamount to saying ‘You shall live forever.'”

I am slowly beginning to learn something about immortality.

a thousand thoughts

I felt immediately welcome at my interview this morning, which wasn’t stressful in the slightest, but an undeniably positive experience. I liked the questions, the interviewer, the vibe, everything! I especially appreciated the quick tour around the office at the end, as it confirmed my brightest hope about the company, that it’s built of the astonishing power that comes from good people doing good work. I feel like I could very happily fit in there in a very satisfying and productive way, like calling to like. I’m told I’ll hear back from them on Monday, but to send in another résumé in the meantime, one that covers my creative work, too.

My only worry is that I may have seemed distracted, as I was silently agitated while we spoke, all too aware of my lover, sitting in a clinic across town, about to go into surgery. Between one waiting breath and another, his name will be called, and they will move him to one of the hospitals, then to an operating room where they will strap him down to a table and drill into his knee. It is not the surgery that concerns me, however, but the the anesthetics, because the only chemicals that will work on him are the sort that are tricky to properly balance. Too little and he’ll wake up, snap the needles piercing his flesh, and destroy the operation, coming out worse than he went in, but too much will poison his heart, a defibrillation-resistant dysrhythmia will set in, then, quickly, cardiac arrest.

Being my usual reasonable self, however, I did my best to stay objective and only focus on the interview. I may not have been as winning as usual, but it was a pleasant conversation, even so, and I am grateful for it. If nothing else, it warms my heart to know that those people are out there in the world, making it better, a tiny line of code at a time.

I just tried one of the chocolates. My breath stopped.

365:2011/01/01 - twenty:eleven
  • Assorted books for sale – $5
  • Assorted books for sale – $10
  • Lunchboxes, toys, costumes, dvd/vcr – $5-$80

    Today I came home in a bit of a mood, thwarted and unhappy in some very deep places, but what should arrive but a completely unexpected and flat out amazing package from Karen of Strange Horizons. Not a surprise in the usual sense, as she sent me a note about it yesterday, asking if I had received anything from her in the mail, expected due date somewhere the back of December, but because we sadly presumed it to be lost in transit. Yet, to whatever caused the delay, I can only thank it. There could be no better timing. She has an exquisite grace about her that I devoutly admire, mesmerizing even over long distances, and it bleeds into her gifts, which are so sweet and clever as to make me cry, two years now in a row. There’s nothing else like it in my life.

    So though my morning may have started with an ache tightly, bitterly laced to my heart, since I’ve opened the cardboard box to discover it packed full of pretty, delicate paper and shiny hand-curled ribbons in my favourite colours and read her card, scented with sugar and lemon and love, I feel so grateful and vulnerable that if I were to leave the house, I would cover up my face. (Can’t go around blinding people, after all. Pretty sure that’s against the rules.)

    It’s amazing to be reminded so perfectly that though I’m isolated, I’m not alone. Her gifts are witchcraft, sent to foster healing and prevent further harm. Medicine against sadness, (couture chocolates and gourmet mint cocoa), hello kitty for sprains, (a plush ice-pack), sticks and stones to ward off injury from same, (glowsticks and pop rocks), a sweet serum to bring blackbirds back to life, (sugar exfoliant), and one. last. winsome. package. wrapped in turquoise and gold that I am almost afraid to open, because what if my head falls off from awe? Stranger things have happened. Have I mentioned we’ve never met? Stranger things, indeed.