kind of like guest blogging

“You know, most people don’t do that,” the farmer remarked off handedly as he tilled his vegetables.

“What?” the girl asked, genuinely curious, as always.

The farmer stood up straight, wiped his brow with his red kerchief and locked eyes with the girl. “Walk around with a flower in their mouth,” he replied, nodding to the phenomena.

This gave the girl pause, she tried to look down at the flower but her eyes got all crossed and made her dizzy. She looked up at the farmer and asked tentatively, “Why?”

He gave a long sigh and continued with his tilling, “‘Cause it’s strange, that’s why.”

“Oh…” She thought for a while, her bare toes stabbing idly at the dirt as she balanced on the other foot. “But it’s not strange that people don’t have flowers in their mouths?”

The old farmer snorted, “That’s right.”

The girl considered this further and said, “What do you call it when a girl has a flower in her mouth and yet is able to speak without it falling out?”

The farmer grinned and looked up at her, “Bad story-telling.”

photo by alois
text by kindelingboy

living in the wrong part of the world for what sustains me


sultans elephant
Originally uploaded by nickestamp.

The Secret Machines didn’t really kick in until a third through their set, but when they kick in, they’re kicking in more than just the front door, they’re kicking in your entire cellular system. They sure do love their lights. It’s a first class show, only a little below Metric or the Arcade Fire with Wolf Parade. Duncan took a great little video of glasses dancing off a table from the thump and pull of the music. I was farther forward, in the front against the stage. It was both a tragedy and a shame that there weren’t more people, but it meant that I could move back and forth in front of the stage as much as I wanted, trying to get the perfect angle for my fan-slavish photography.


Sultans Elephant 12
Originally uploaded by Mr Hyde.

Two found ads that taste great together: Campari & Choco.

And here I am, glad to be on-line again because a friend is building a spaceship that’s going to fly with NASA and a 43-tonne wooden elephant took over London and Burrow has a new boy and they’ve discovered the oceans on Titan are actually sand. I felt horribly cut off without my pretty little window screen into the rest of the world. Trapped in my own head, unable to push out my miseries with keeping busy, is a wretched place indeed. I don’t recommend visiting. As I said to a friend earlier today, my posts this week have been the written equivilant of my computer catching me in the middle of a crying jag. I would apologize if what I had written wasn’t also true, however, so that’s that.

Especially the awesome bit about the elephant.

“I’ve been a long time coming, and I’ll be a long time gone” ani difranco

I forgot to being Imogyne‘s birthday present with me to work today, despite that I remembered it yesterday. I’m hoping she’ll like it.

I win at Derek’s brain.

Yesterday Terri visited and brought black chocolate gelati. Andrew called and bought me concert tickets that I will later have to pay for. TV On the Radio, Secret Machines, Frog Eyes with a member of Wolf Parade. (video). On the phone was my mother, we tried so hard to keep talking. At the hospital, I left hungry letters to myself on Devon‘s laptop while he tried to sleep. Darling man, if I’m lucky, he won’t find it until I’m gone.

It was exactly this time last year that I decided to go to Toronto.

2005-04-27 00:23
Once upon a time, there

were fairytales
princes and
strange iron shoes
what meant honour
Once upon a time, there
were childhoods
we believed
in gold and
thought being good
was winning

Tell me a story, they said
explain to us why we crave
towers
why we crave pastel dresses and
happy endings

Tell me what matters
when everything is beautiful

(verso) I can’t remember to forget you.

http://sevenphonecalls.org/

Devon came out of surgery fine. He’s tired and looks worn, but that’s to be expected when your innards have been slipped out of your belly and rewound, I’m sure. His intestines had twisted, kinked themselves into knots in ten different places. There’s no need to worry, he’s resiliant, recovers like I do from damage. I have a fabulous picture of him in the hospital bed, looking put upon by uncomfortable plastic tubes, holding hands with his beaming parents. I didn’t get to post it last night, unfortunately, but it will be available soon. He’s possibly not sleeping enough, but that’s so close to normal that it almost doesn’t bear mentioning. We’re a batch of night owls, we are. A coven of ridiculously interesting people who are most alive when everyone else is in bed. Dancing with blades, dancing in gruops and apart from eachother, dancing and being glad that life continues. Sneaking into hospitals at ten minutes to midnight and being turned away at the last possible moment.

Duncan’s got a livejournal.

Various people have been asking me what my plans are this week. As of yet, I really don’t know. I’d been planning on going to the Pacific Cinematheque double-bill tonight: Paul Williams hosting THE MUPPET MOVIE and PHANTOM OF THE PARADISE, followed by an After-Party at the Media Club where he’s going to play a set alongside July Fourth Toilet, (no, I don’t know who they are either), but I expect to skip the first film entirely for the sake of visiting hours. Tomorrow I may end up missing rehearsal for the sake of other things. Visiting Devon in the hospital, for example, or dropping by Bob‘s for a showing of A Tale of Two Sisters, one of my favourite movies, (just as Phantom of the Paradise is my mother’s), and finishing the cleaning of my room that’s been dragging on for something akin to a month simply because I’m never there anymore.

http://notyourusualbollocks.squarespace.com/

my itinerary’s solidifying

All who are interested in heading down to Santa Monica for the Gregory Colbert show say “Aie”. It’s time, duckies. Easter Long Weekend. The show closes when May begins, so we’re running out of time. If I have to, I’ll go alone on the train, but I think this should be by group design. It’s too beautiful otherwise. Help me, come with me, let’s go.

In the same sort of vein, Sophie‘s looking for Sin Borrows. I’ve just recently tossed out everything I could have given her, does anyone have anything proper that would fit?

we're so awesome

HOWTO tag walls using laser electro LED graffiti.

I hung up the phone and smiled again. I feel like I’m at a train station and one of us has run next to windows, shouting “I’ll see you again sooner than someday.” There is reason and love in my mind and it’s nice. So few are my moments of grace.

I watched, enraptured, as someone played the saw last Saturday. I love the tonal structure of it, the glissando that arc out to pierce the audience so effortlessly. I swore again, as I have at least once a year since seeing Delicatessen, that I would find someone to teach me. Burrow tells me that all is required is a saw and some insubordinate patience, but I’m not so sure. I’m going to trust her on this one to the point of digging out a saw and an old bow, but past that I’m shy. How silly will my injuries be from holding this sort of musical instrument wrong? I can only dare not imagine. It’s not like gamelan, where the worst I do is pinch a finger carrying some of the bigger gongs.

hypatia shoes looking to act as a gallery

This is a call out to local artists, pass it on.

The shop I manage, Hypatia Shoes, is looking to act as a gallery for appropriately themed paintings and framed photography. The space available is approximately 3 feet by 10. It’s high on the walls, though space for small prints may be found. Commission rates start at 15% and pieces may be left up for a month of more, depending.

Images with gothic themes or alternative models are welcome, as are any with creative use of sexuality. We are looking for tasteful, subtle, more artistic, less pornographic, but some nudity is acceptable. Anything not pg-16 will be discounted.

We are also looking to sell clothing from local designers on a consignment basis.

If you’re interested, please either call or drop by the shop Monday to Friday, 11 a.m. to 6 p.m.
We’re located at 1340 Davie Street and our phone number is 604.688.4862.

holy hells is good theater inscestuous

The Vancouver Art Gallery has switched cheap day from Thursdays to Tuesdays. This week, luckily, that’s the day the Ad Mare Wind Quintet premiere music written especially for the rotunda’s unique, reverberant acoustic qualities. They’ll be playing new pieces by three local composers, Jennifer Butler, James Beckwith Maxwell, and Jordan Nobles.

AD MARE
7:00 pm
Tuesday, March 7

Rotunda of the Vancouver Art Gallery
750 Hornby Street, Vancouver

Admission by Donation
Information: 604-730-9449

I haven’t seen the current exhibition, though I’ve been wanting to, (Brian Jungun being snazzy and all), so I think this will be a perfect opportunity. It’s always a treat to have someone provide sonic landscapes to compliment the gallery’s exhibits. Wandering the vast rooms in silence just isn’t as kind.

Also, and more personally important, Theater Under The Gun is this week. What happens is that 10 to 12 theatre companies and/or ensembles are given an inspiration package that contains an image, a prop, a sound bite, and a line of text, all of which must be used in the final performance. They have 48 hours. When I worked in theater, this was one of the most twisted, intensely fun things I ever took part in. (I will carry the mental scars of John Murphy, (he of The Heretic), fucking a plant on stage to the end of my days.)

This is splendid news, because as far as I was aware, Theater Under the Gun had died this year. Chris McGregor and Trever Found, the two folk I used to know who ran it, hadn’t been able to find time for it. Apparently, though, it’s been taken over by two fairly-strangers-to-me, Heather Lindsay and France Perras, and they’ve stuck it into the new Show-Off Festival, Here Be Monsters, (here’s a flyer), which is being run by Monster Theater, a group who work occasionally with my Calgary friends, One Yellow Rabbit.

Tickets are $12, unless you’re interested in checking out a few shows, then a pass is $25. I’m planning on getting a pass and letting the festival take over my life for days at a time. Anyone care to join me? It starts tomorrow at Performance Works at 8pm. You’ll miss the Low concert, but that’s forgivable. I promise.

IC BEO EGESLIC

Alicia says I’m expressive, resourceful and accepting, so you should all come to her most awesome annual Anti-Valentines Party. There will be 60’s of rum and other various hard alcohols to make you wish you had never been born. Come February 17th, 2006, 8ish. The blender is available, the martini shaker is ready and the place is dying for a party. Your part is easy. Wear all-black, bring hard alcohol, no beer, bring your friends, find some dead flowers and write melancholy poetry to be read aloud from at atop a chair ~ whatever your broken little heart desires. If you don’t know where she lives, then drop me a line and I shall tell you. We can pretend it’s a secret.

Also, please go worship briefly at the altar of Hakkenkrak, the quirky journal of the delightful Christalline, who I never damned well see, because I am stupid.

She made me a pretty thing when I really needed one. Turning this:

into:

Which looks ever so much cooler and is also apparently some sort of vector thing which can be blown up successfully in ways that the original cannot? (& looks incredibly stencil-able, I can just picture the three layers I would choose, which is nice, but oh the vanity involved in stencilling one’s own face. Also the not legally clever.) I don’t actually know a thing about vectors, but it sounds fairly impressive. (Also, the way she has her background do that crazy immobile gorgeous woodblock thing… damn, I wants).

People who meditate grow bigger brains than those who don’t which is perhaps why I am never intelligent enough to corner hakkenkrak for a sunday afternoon. My brain is like a library what won’t shut up.

Which reminds me, here’s both my Johari window and my Nohari. Fill them out, (though I admit a mixture of the two windows would be far more interesting to me). I insist on the basis that I control the wind. Well, no, but I am sad because the boy who is ostensibly my boy hasn’t tried to see me and it’s almost been a week, so it would be neat, and neat things cheer me up. Also chocolate, though as I had incredibly rich chocolate for breakfast, supper and dinner, I’m feeling a bit odd on that subject. See, I’m living a self-imposed week of not chasing after him, no tapping on the window of the hotel or dropping a ring by the front desk at improbable hours. Sunday to Sunday, then I go fetch my clothes in a very mopey manner that feels unloved and pretty well unwanted.

Monday had wind strong enough to break trees, however. Wind strong enough to shift the course of the sun around the corners of taller buildings downtown, which is good and right and as it should be. Wind like to play piano, wind like to breathe for your body as you walk into it. That’s what I head into the day before last, a leap of faith on my way to work. My window felt like the portal of a space-ship with me looking out to the dark clouds tearing into the broken blue, pushed too hard to threaten any sort of rain, too busy trying to keep themselves together as they scud violently across the sky.

I really liked it. I was sorry, for once, that I was caught inside my store. I wanted the force of the blow to touch me, as if the world was putting invisible arms around me, shrouding me in some elemental forgiveness while it shredded my clothes. Last year I was on a bus going across a bridge when an especially classic gust hit. It was like the entire vehicle had transformed into a strong linen sail. It was beautiful, feeling us drift into the next lane with the force of it, as if the wind was going to propel us sideways and off the bridge and out over the water, like we could fly on the strength of it, reminiscent of a raygun-gothic aircraft, (which they’d better damned well go through with it lest I go over there and pluck their eyeballs out to use as ben-wa balls instead), but with orange duct-taped plastic seats instead of jazz music and improbable wood paneling.

Oh yeah, and how cool is this? The Phillip K. Dick Robot’s gone missing! Next trip out, I’m going to make myself some pink lights to defend myself with. (which is also a supremely cool link that’s making the world a better place, so go look, then make some, then send some to me.)

The Animaris Rhinoceros Transport is a type of animal with a steel skeleton and a polyester skin. It looks as if there is a thick layer of sand coating the animal. It weighs 2 tons, but can be set into motion by one person. It stands 4.70 meters tall. Because of its height it catches enough wind to start moving.”

Watch the video!

There’s more at strandbeest.com.

Itconversations.com has a session with Theo Jansen, the creator of these wondrous wind-powered walking machines, at Pop!Tech 2005 here.

The Machine, a short story by Joey Comeau of a softer world.

I leaned over the pool-table at Joe’s Cafe and while I carefully lined up my cue with the ball, I unexpectedly felt like I was a copyright infringement. That someone more deserving had done this exact thing, but had made it art. Shaken, I missed my shot and tried to shoo away my strange thoughts. I was in the wrong company to be attempting to discuss such ideas away. Robin isn’t educated on the right topics and Shadow, Ducky’s brother, doesn’t even have a computer yet. Instead I stood and looked over the poor constellation I had offered the next player. I counted the balls left and questioned colour as a concept. “It’s lucky all three of us suck at this, hey?”

Katie‘s started to take pictures wearing her holiday present.

This is the day I was hit by the truck three years ago. I had killed the hot seed of a child in my womb a month before and where I stained my skirt when I skid along the road, the blood from my bone bare knees mixed with blood from that left-over wound. The snow, that sensation, was so light and soft that it felt like it wasn’t real. My arm was fire and my eyes had met those of the driver a disturbing fraction of a minute before I turned and jumped into the air. My intention was to slide along the hood of the truck, but the snow, that delicate snow, it caught on my shoes. I slipped.