standing up, being counted

“We stand awed at the heights our people have achieved. No gods, no religion. Us.”

The cult of Warren is strange and bizarre – standing in his shadow, I attract my own miniature flock of digital stranger crows that flap and holler. They pool in my footsteps, inky comments on breast size and comic book lines, and hop from medium to medium, trailing like shreds of three panel love songs cut with rusty scissors and animated comedy quotations.

It happens sometimes, that my friends are made larger than life, puffed with their creations into parade balloons that float on the hot air of media, swearing, writing, and song, mossy with articles, bright with light, and loud, that I get caught in the slipstream, somehow. I flutter, attached, back stage, in the green room, in the booth, behind closed doors. Crew, countryman, friend, lover. I look out and see eyes, lines of them waiting, eager, like drugs waiting to be born, delicate membranes of gossip, admiration, and downright lies, torn between trying to keep the pedestal up, balanced, and meaningful, while wanting nothing more than to climb on top. Disparate options with similar needs.

I do my best, but I can’t relate. We sit in restaurants, months out of date, how have you been, me too, this place, that bit of news, how is it, how was it, I’ve missed you, say hi to the wife and kids. We eat, trading knives like we trade stories, smile, and sign where the waiters ask us to sign. I loved that movie you were in. And I get the smile too, as if they should know who I am, what I do, why I’m here. We lie in bed together, on top of the covers, clothes on, flipping through television channels, ordering food from room service we will finish eating in the morning, after we wake, bleary, uncertain of the city, uncertain of the beige pink walls, the cold marble floor, how we’ve moved to hold each other in our sleep. We are not these incantations written on message boards, names attached to more meaning that stone. We are people, as difficult and as holy as everyone else. We make what we make, create when we can, scrape a living out of it, barely, and rinse, wash, repeat. Glory is rare.

Over 35 years ago, a plastic surgeon named Dr. Maxwell Maltz noticed that it took his patients 21 days to stop feeling phantom sensations from lost limbs. After further research, he came to find that it takes only 21 days to form a new habit. In fact, if patients worked for just 15 minutes to form a new habit every day, without skipping a day, after three weeks it was actually harder to go back to their original behavior. He wrote a book on the subject called “Psycho-Cybernetics” and accidentally founded the self-help movement.

I wish more people knew. It’s proven, too, that everything hones with practice – research, accounting, programming, painting. Even dry talent, art learned from a book, can be added to, can better itself. With the advent of the net, it’s possible for everyone to have an audience, if they only try, use the tools available.

The only way to climb is to stand on a pile of your own creation.

To live, learn, and strive.

artpost: just the right size

Audrey Kawasaki has announced her next print sale!

If Only You Were Here
signed and numbered edition of 150

size: 22″x22″ on a 24x”24″sheet – with frame: 28.5″x28.5″x2″
price of unframed: $220 – framed: $450

It will be made available for purchase on July 19th Saturday at 1:00 pm pacific time.


If I had two-hundred dollars to spend on art, this is where it would go. I’ve been following Audrey‘s work for years, (her delicate work regularly graces my otherwise cluttered computer desktop), but this is the first print offered that really captures me. There’s just something about the composition, the lines, the flowering lights, that tugs at my eyes and won’t let go.

artpost: art, patience, timing


No.60 | N 70°26’36.5“ E 27°53’27.1“,Tanafjorden, Finnmark, Norway, 2007

No.61 | N 61°39’51.9“ E 6°51’27.8“, Briksdalbreen, Norway, 2007

LIGHTMARK: incredible long-exposure light painting by Cenci Goepel and Jens Warnecke

They’ve also taken photos Tierra del Fuego, Suomi, Germany, California, Spain, and France, which are available in their absolutely stunning gallery.

Eeee! Paint me excited.

Pacific Cinémathèque presents Crispin Glover for three exclusive evenings, July 18-20.

Mr. Glover will be presenting Crispin Hellion Glover’s Big Slide Show, an hour-long audiovisual performance-presentation in which he narrates images from his story book series. Following will be his debut feature film, What Is It?, a mind-blowing, taboo-obliterating phantasmagoria and psychodrama which he describes as “the adventures of a young man whose principal interests are snails, salt, a pipe and how to get home, as tormented by an hubristic inner psyche.”

Each evening concludes with a Q&A and book signing.

TICKETS: $20 — Advance tickets are on sale now, but are only available on-line at www.cinematheque.bc.ca.

Tickets will also be sold at the door. Box Office opens at 6:30pm nightly. Annual $3 Pacific Cinémathèque membership required. Restricted to 18+. NO PASSES will be accepted for this event.

artpost: Happy Belated Birthday Mer. May you be swoopily grumptious the whole year through!

Frog Can Fly, by Mila Kalnitskaya & Micha Maslennikov.

Using plastic, metal, and live frogs “because they are small and light.”

Two of the frogs involved, Siberian Postman and Fly of Destiny are now pets of the artists.

situationist comedy

Karriere is a fairly new Copenhagen bar completely designed by over 30 artists, (Robert Stadler, Douglas Gordon, Carl Michael von Hausswolff, Olafur Eliasson, etc.), who worked on everything from the name to the interior.

Most interestingly, the cost of certain drinks at the Karriere Bar have been reworked into an installation piece by Kenneth Balfelt, who conceived of a price policy that experiments with perceived social structures. The new prices are determined by how you display yourself and it’s the waiters and bartenders who decide if someone qualifies.

Some examples: Activist and hippie types pay extra for organic soda, unless they’re homeless, in which case they get a discount on cafe cortado, yuppies pay extra for beer, and gay couples who french kiss get a discount on apfelschorle.

There’s many of various discounts, and for all sorts of things, speaking danish when you’re obviously foreign, being a multiracial table, etc., hardly any which seem politically correct, but all of which might prove interesting to interact with. I imagine friends gathering in groups, trying to work out how many discounts they can snag in one go.