just a short note of general triumph

This is complete genius. Remember that entirely nonsensical LJ mojo meme that was floating around about a month ago? It asked who on your Flist you’ve dated and created a graph that charted things like how Hard To Get you might be. I tried it out, randomly picking the top and the bottom people on the list it offered me, (Devon* and Warren, laughingly enough, as if to only pick the incredibly tall), to try and find out what the idea was behind the seemingly haphazard-dots-onna-graph that were popping up absolutely everywhere. Discovering absolutely nothing, I shrugged, closed the window and forgot entirely about it.

Some people were not so lucky. The poor souls who actually went ahead and posted their pointless meme were duped. The perpetrators of the meme have replaced the graph with goatse. (And yes, all sorts of silly people think the meme-makers have been “hacked”. Aren’t they sweet?) Not only was the picture switched out, it seems quite a few people answered the meme accurately, therefore letting all sorts of cats out of the bag, now that all the dating information gleaned from the meme has gone entirely public.

My reaction? “Less what-anime-character-care-bear-sex-toy-am-I posts? Oh Noes!” Also, mad cackling.

*Those in the mood, go congratulate him. According to his Flickr, his daughter Taylor was born today.

best mother’s day gift possible

My mother finally bought herself what we’ve jokingly dubbed her “mid-life crisis baby”. I got on to heft it and found myself intimidated. Her new bike is not a machine which goes down easy. It’s so heavy that if it falls over, she’s going to need a mother-panic of adrenaline to get it back up. That or three big men. So there, that’s my mother, proud and pleased, cradling her fast, dangerous creature. It makes me happy.

torn into two things on Tuesday

re d s h i f t m u s i c s o c i e t y presents…

Mjölnir, a new work for percussion ensemble.
Tuesday, May 8 at 7:00 pm at the Vancouver Art Gallery, 750 Hornby Street.
Info: 604-730-9449
Free Admission!

Mjölnir:
&nbsp &nbsp &nbsp 1. the name given to the hammer of the Norse god, Thor
&nbsp &nbsp &nbsp 2. a free, public music event in the Vancouver Art Gallery

Mjölnir will feature eight of BC’s most outstanding percussionists and an arsenal of pitched and non-pitched percussion instruments, spread throughout the levels of the central rotunda, filling the entire art gallery with music.

The ensemble will perform new compositions written specifically for this large and reverberant space by Christopher Butterfield, Jocelyn Morlock, Colin MacDonald, Andre Cormier , and Jordan Nobles. As with most Redshift events, the audience will be free to sit and watch the musicians and/or move about the space, creating their own sonic experience.

~~~

The Holy Body Tattoo presents..

Smash-Up, debuting a new work, Animals of Distinction.
May 8–12 at the Cultch, 1895 Venables Street. All performances 8 pm.
INFO: 604-251-1363
Tickets are $22.50

The Holy Body Tattoo is an award-winning Vancouver contemporary dance duo, producers of (arguably) some of Canada’s most inventive and astonishing performances. They’ve worked with artists like William Gibson, Tessa Bartholomeusz, Tindersticks, Warren Ellis, (the violinist, not the comics writer, you nerds), and The Tiger Lillies, to wonderful results. It was years ago, but I still count attending Circa as one of the more positive experiences of my younger life.

A series of short mixed-media works conceived as a collision between dance, animation and sound, Smash Up expresses the sublimely disquieting forces of desire, isolation, emotional and physical dislocation. Smash Up integrates James Paterson and Amit Pitaru’s immersive animated environments with music by Roger Tellier-Craig (godspeed you! black emperor; Fly Pan Am). With dancers from across Canada and choreography by Gingras, Smash Up inhabits the space between the layers of image, gesture and sound.

I like you more than I can say

It’s Too late To Say I’m Sorry the newest book from Joey Comeau of A Softer World.

Alastair‘s sister is visiting this week, so we have been rushing around cleaning and trying to make his apartment feel like a civilized adult lives there. Saturday we went to IKEA to buy furniture, so that meals may be eaten around a table, as grown-up’s traditionally claim they do. I’ve been joking that we should paint on coffee rings for added verisimilitude. He dislikes IKEA, but it doesn’t bother me, I like the futurism inherent in the company, (the IKEA catalogue is the only book printed in more languages than the bible), but it bothers him how they homogenize apparent individuality. As if in retaliation, he’s been threatening to go to Costco, which just makes my skin crawl.

Yesterday the Boy called to (accidentally) gloat about the warm L.A. weather, “I can even see the HOLLYWOOD SIGN FROM HERE.” (Here the sky remains a sheet of gray with occasional attacks of vicious rain. One shower smashed my umbrella and left me hiding under a tree for fifteen minutes.) He told me about a mylar balloon he watched escape from someone into the clear blue sky. He thinks he might be able to see Gerry and Suzi’s place from his building. I told him how my mother wants to do a motorcycle road-trip in his direction this summer. The idea of meeting my mother makes him nervous, which I understand, but still find amusing. His voice made my day, I think, as well a pleasantly delaying a return-a-wrong-thing trip to IKEA.

None of us can think of an appropriate name for the flavour of yuppie they are, these technocratic boys, only that it’s markedly different from the Gap-Shopping Two-Point-Three-Career stereotype that over-ran Joseph Epstein’s classic definition. (Originally yuppies were defined as “a market segment whose consumers are characterized as self-reliant, financially secure individualists who do not exhibit or aspire to traditional American values.” Values having shifted, thank you baby-boomers, the last bit has fallen off in the back-lash, leaving us with a cold vision of consumer based living.)

Caught in the middle of a surge in media and technological advances, they grew up generationally bilingual, technicians yet artists, geeky yet culturally aware, raised on computers and television but almost entirely lacking commercial influence. They’re like Douglas Coupland characters, but instead of remembering nuclear emergency classroom drills, it’s the Berlin Wall coming down and the birth of the internet in the mid-nineties. (Back when internet was capitalized. Remember Altavista?) They work specialized jobs within what they refer to as The Industry, be it Video Games, Television or Film, and though there’s a high burn-out rate, they continue with 100 hour work weeks, generally too busy for families or “proper” homes, because they are financially available for unusual or exciting experiences later. (Travel to foreign countries, Burning Man, etc.)

Any suggestions? James? You’re one of them too.

he calls me “echo” now

The Brothers Quay Retrospective was fantastic. Street of Crocodiles and The Epic of Gilgamesh (aka This Unnameable Little Broom) are still resting behind my eyes, making the world a nicer place to live. Not only do I now have a precise imagine of what I wish to do with my cat skull, I woke up in a night that was almost morning and let my blindness guide me through almost a musical exploration of lines of thick shadow and knots unwinding. By the time I finally got up to face down my day, I had already written full paragraphs of script in my head. (I will never regret keeping all my baby teeth or that small box of broken watches). Now it is only upon me to learn how to tweak the settings on my Canon to something appropriate for stop-motion animation.

I will state for the record that I hated the stop-motion course I took, the teacher’s remarks were too open-ended, there were no crits that weren’t blindingly obvious, and I found the other students ideas oddly insipid, them: “I know how to end it! Let’s kill off our character with a giant rolling Indiana Jones ball of plasticine!” me: “No, let’s end it with the beginning of that Franz Kafka story where the guy turns into a bug, the articulation would be really… nevermind” (welcome to me at twelve), but it still remains one of the most useful classes my mother ever enrolled me in. The only classes that frustrated me more were the Architecture and Painting Courses where they didn’t give us a lick of information, just gave us supplies and told us to go nuts. If I recall correctly, I ended up building a small house for cats that I was incredibly unsatisfied with and an awkward triptych of paintings my mother loved, but could barely fit on the bus home.

I literally yelped when I found out about this. Then I jumped up and down.

Pacific Cinematheque presents Tales of the Brothers Quay: A Retrospective

Brothers Quay

Stop-action nightmares are brought to life in this retrospective on Timothy and Stephen Quay, identical twins and masters of disturbing, fetishistic, visceral, and extraordinary animation. This double-bill program of thirteen shorts is selected from a quarter-century of startling work that has earned the brothers an enormous cult following. Includes Street of Crocodiles, recently selected by Terry Gilliam (Monty Python’s Flying Circus, Brazil) as one of the ten best animated films ever made. “This megadose of the Quays’ singular vision will haunt your perception for days” (Time Out New York). 

Their The Piano-Tuner of Earthquakes stole my breath when it came through with the Vancouver International Film Festival. Ethan brought me. As arresting as Strings, (another film absolutely everyone must see), it was infatuating, erotic, and haunting. I’ve never stopped looking for a copy. We agreed after that we’d not ever seen anything that so exquisitely captured the marvelous feeling of a trembling dream. There was a sense of timelessness I couldn’t let go of, nor did I want to for days after. I could catch glimpses of it between my lashes as I sat looking out the window of the bus or waiting in a line-up. Their work is transformative and not to be missed. 

So, that said, what are people doing Saturday night?

May 4, 5, 7. Titles + showtimes.