I don’t know if I should write when I’m this tired : 11pm & I still need breakfast


picture by Bertrand Shi
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My PRO Flickr account expires this month on Wednesday, April 18.

Acid:

Exhaustion drops him into my lap after work like a fantasy from my most feminine of secret hearts. Even in such tired disarray, he’s baroque jazz music – eyes drawn shut – every meeting another delicate discovery of something else I like. (His middle name is the name of the first man I lived in love with.) I feel like Rapunzel, the way his eyes seem to light when I let down my hair. Mornings congeal upon arrival, unbearable and vulnerable, to be resisted, so we shed our trembling days like skin in the evening’s tiny gestures, the taste of a fingertip, the angle he rests his head in my lap, clever conversation’s chance miracles. Tilting windmills Myth: We seem to only see each other at night. I may never kiss another blonde again.

Tonight I am sleeping alone. Bruised velvet stockings, a black slip made of something that isn’t silk. My lipstick poorly wiped off, I dressed up too well too late. My only company is a book and a neglected free movie pass, crumpled, a bookmark instead of a date.

Base:

Fireworks only work if the wind is right. Horizons are susceptible, just another line to create the backdrop of the sky. Too high, too loud. It’s never as safe as we say it is, which is why it’s perfect. Our fishnet talk of fire led to phone-numbers, dinner, dancing. Other people do this all the time, but we’re a little out of practice. Loud eighties music, barely recognizable. The almost clinically precise shift between songs destroy the music. DJs as A.D.D. trash. Wankers popular with underage girls and not much else. He’s drinking vodka. We’re dropping the names of dead poets and talking about L.A. It was earnest, not a sly nod to the old fifties protocol of pulling out her chair, but legitimate – possibly the first time I’ve ever properly Gone Out. The only other time was an accident. Slip of the tongue, whoops, what?

The elevator is familiar, so is the art on the walls and the echoes of a previous life. No culture, but no secrets. Everything interstitial. Ready to fly away. Black t-shirts and corporate chosen furniture, everything laid out; change on the table, (a boy affectation I’ve recently started doing myself), and too many dirty cups. Instantly recognizable, like the lyrics to a song you liked as a child, I feel I’ve stepped off a cliff only to be caught by a feather bed. Of course, the bed is like a barely padded brick. The couch, however, is another story entirely. One full of sensitive princesses in borrowed pink blankets and peas individually wrapped in uncoated plastic.

Salt:

“We’re getting better at this.”

A man of smooth angles, I find he’s attractive like a lullabye, something perfectly suited for the edge of sleep, almost an unfinished sketch of some living holy ikon, with dreaming lines that run invisibly off the page. It was a shock to see him in daylight, as if I expected him to dissolve like pale flowers in a heavy wind.

“Affection is as addictive as anything else on earth.”

black and white grainy fear films

Chocolates shaped like Hep-C.

The rain against the glass wall sounded like ice-sheets breaking. He found me last night in the hall, a knot of velvet resolution reading at the door. Ninth floor. I held my hand to his heart and felt as he fell asleep. A smile and his entire body sighed.

Ukrainian Fairy-Tale Graffiti.

There are four hundred stainless steel rods precisely equidistant in a field in a valley approximately 200 miles south of Albuquerque in New Mexico. You are not allowed to take pictures. In July and August, the cost to visit is $250 per person. Reservations must be made through written correspondence and you may only reserve one night only. The delineated space of these four hundred rods is a grid exactly a mile long and a kilometre wide. They were placed there by a man named Walter De Maria. They are lightning rods. That is their purpose, their conversation, their drop-dead-gorgeous meaning, to call down the gods. The Lightning Field is available for visiting from May 1 through October 31, seven days a week. I have never been, but I am still in love.

“Tyger, Tyger, burning bright.”

The most terrifying thing I have learned this week is that bees are disappearing. The worker bees are leaving the hives and never returning, and without them the queen and larvae aren’t cared for and the colony collapses. My belly goes cold, reading the articles. No one is finding drifts of dead bees, only that the hives are now barren. Millions of them have vanished. It feels unreal. There is a range of theories regarding the missing bees, but none with any explanation. Most presume the bees are presumably collapsing in the fields from exhaustion or becoming disoriented and dying in the cold of night, unable to find their hives again, but do not say why these guesses are likely. Researchers have given the mystery a name, presuming it’s an illness they call colony collapse disorder. I am scared, understanding only that this is a sign of a ruin far greater than the articles seem to see. Cue music, run credits. Black.

point made

Andrew sent this when I was at Michael‘s yesterday. We curled up in his chair together, aghast, seriously wishing there were more video. My obscure reaction? How dangerous it must feel to play The Red Violin in a subway station. (The article’s a bit long, but only because the author’s obviously very passionate.)

Today it’s on Neat-o-rama:

Internationally-known violinist Joshua Bell played busker at a Metro station in Washington, DC during morning rush hour recently. It was an experiment to see if anyone would recognize him, recognize the talent behind the music, or would drop money in his case. What do you think happened? The results may surprise you. The cover story in today’s Washington Post Magazine includes videos of the experiment. Link

the difference between real bottles and break away glass


I like watching him hold a cigarette. Downtown shines below us, Granville street lined with tiny people, “extras in our movie,” flirtations of humanity. We’re talking about celebrity, the breath of fame that doesn’t exist anymore. People are famous for being famous, but it doesn’t last. The meta time, idol tenacity, that fresh new wonder, is gone. There will never again be a Beatlemania or a name as household as Madonna. We only have this life. Globalization washed away all of the sixties tears, leaving instead a wide wash of sand, every grain a name slipping through our fingers. Commercialized and replaced by interstitial realities, it’s all quick cuts, colour filtered music videos, shadows of elusive hard rock cocaine and a glossy ten minutes before the sad talk show circuit takes over. Media immortality has been transformed, an object of passion and fury re-made into the sort of pleasing detail you do not seem to notice until it is gone.

A ray of sunlight has thrust through the clouds to perfectly illuminate just the cherry tree outside my window. The blossoms shine pink like it was newly invented for precisely this moment. It glows, separate from the street.

My bus came early this morning, Sunday schedule, holiday. I kissed him goodbye, then ran in the other direction, stopping only to turn and watch (admire) his profile walking at twenty paces. In this quintessential Vancouver light, soft and unearthy, lacking shadows, he seemed like the scribble of a soundtrack, something kind used to emphasize the loneliness of industrial neighborhoods. I looked away, suddenly shy. Kittens were waiting, Alastair, messages at home, work. On the bus the driver liked my hair, like everyone does. Six comments a day, all this week.

The skytrain felt like a truck stop, empty and laminated, like there might be heart healthy options and too pale coffee waiting when I got off. Briefly I wondered how I would have to change my schedule to run into Troll, but the thought didn’t survive to the top of the stairs. I was too busy engraving my week into my skin, tracing conversations into my brain. A girl on the bus smiled to herself and crossed her legs, innocent but for the slight blush and a tell-tale whitening of knuckles as she looked down. I caught her eye and smiled back, confident that we shared a secret, the anonymous enjoyment of private reminiscence. Out of silence, we shared a (random) laugh. I think we felt beautiful. She said, “It’s been a long time.” I said, “It has.”

I really want there to be hot water faster

exhibit 5: blue over me

“Honest, your honor, I thought she was 16.”

Look! There’s weather today!

Antony wanted proof, locked as he is in his dark little office, too sick to go out for a cigarette, so I broke the lock on the trapdoor to the roof, took photographs and sent him a pictorial essay: on the treatise that the sky can be a blue colour in the city of Vancouver. It was deliciously warm up there, perfect for my bare feet.

Of course, since I was up there, a gray haze has been taking back the sky. I say we petition and have it thrown out.

Nicole and I are continuing Alastair‘s bathroom today. When we’re done it will be a pale ghost of butter yellow with a cheerful blue sky on the ceiling. It’s all Very! Spring! I’ll try to remember to take pictures. His shower curtain alone is worth the price of admission.

Yesterday Andrew met a man who’d never seen the ocean before. “Tourists took pictures of him, swimming fully clothed, just off the seawall.”

(Apparently it’s a holiday. Happy Guy-Onna-Stick Day).

getting used to being up at 7:30 in the morning is a crime (or should be)

Dynamo is the 3D animated short that just won the Imagina’s Schools and Universities prize. Benjamin Mousquet and Fabrice le Nezet, the creators, answer questions about their atypical crossroads of clever nonsense and unexpected meaning at ITS ART Magazine&lt, a digital art magazine available in English and French.

ITS ART Magazine&lt is a wonderful resource. I highly recommend taking the time required to explore their small video library. It’s slavishly devoted to high end, quality computer animated shorts. It can be a little hit and miss, as such things generally are, but the percentage of good is notable. Beware, however, as it’s not all fluffy sea sheep, adorable and bunny sweet, many of them accurately capture qualities of nightmare and display them as skillfully as fetishistic vivisection.

March of the Namelss, for example, the second video posted here, is an extraordinary look at the dark fatuity of war. Jean Constantial and Nicolas Laverdure exquisitely blend elegance and the threat of death into something powerfully bewitching. I watched it twice, unwilling to miss even a moment of War in a scarlet suit, thin as a cat’s collarbone, skipping through the calamity.

breathe


the merits of hating television
Originally uploaded by Foxtongue.

YEAR ZERO: the new NIN album.

Time is a cruel and whimsical creature. This week I’ve been barely sleeping, too busy with other things, kissing thin shadows and wrenching my system into sudden early mornings so hard I can feel my body protesting when I move, as if even walking is a strained effort for my tired muscles. Yet, oddly, I’m feeling rested for the first time in years. It’s like I’m finally feeding a deficiency I never knew was plaguing me until now.

Stephanie was writing today about how human memory works, how all positive memories are linked together, so when one is activated, they all light up. I’ve been trapped for a long time on the other side of that. After my Year Of Disaster, my positive experiences had little to link to, they felt constantly isolated. “Fleeting” was the word Steph used, and it fits, but now everything’s falling into place. My theatre project is ticking along quietly, just as it should, (though I sincerely need to take some time away from job-hunting to write some copy), my personal life is new, easy and only complicated in highly amusing ways, and rather than be simply ignored by magazines, I’m beginning to get rejection letters.

I think I’ve reached an ideal, the stable place I’ve been wanting from which to shake my life into some semblance of what I’d prefer it to be.

can’t stop laughing that he slept with my sister


my finale
Originally uploaded by Foxtongue.

Today’s dose of Cultural Disphoria brought to you by the colour Bollywood, DC comics, and the letter Internet!

I’m sitting in the studio corner of Alastair‘s apartment, listening to a Janis Joplin and Tom Jones duet from 1970, and tidying a script intended for his summer students. (I work for free here as kitty-rent, on Saturday we made a table, tomorrow Nicole and I start painting). The cats are glad to have me home, taking turns unraveling the ribbon hem of my skirt and hunting the raindrops sliding down the window, purring as I grin at lines like, “Get me [amount]cc’s of [something that brings people back to life]”. We might be back to a terminal case of No Sky No Weather, but I have declared an Awesome zone today, so it’s not affecting me as it usually would. Both RC and Basco were in the paper today, tonight is Seder dinner with Silva, and, last night after Network and a dinner of white chocolate fondue, as I stood wrapped in a king size blanket on a balcony overlooking downtown, my heart of snow redefining the word romantic, I felt like the luckiest little arsonist that ever was.

edit: download: dj tripp – tear my sharona apart

Seven Brides Electrified

Lovely lads and ladies, if you’re in L.A., make sure you don’t miss this!

Seven unique, fascinating, surreal, and enchanting contemporary artists, all in once place. It’s going to be the show of the season. Even I’m looking forward to it, and I live in the wrong country. As extra incentive, Molly, founder of Dr. Sketchy’s Cabaret Drawing School in NYC, is the artist who drew Heart of the World‘s corporate cartoon.