sitting at a party and stalking the room with conversation.

I would like to melt my atoms down to something that I used to be, but am not now. It might have all been dreaming, but somewhere in my cells I remember being a different shape. I remember not having to deal with hips and weight on my chest. I want to write a story for my lover, something warm and pulse washed that takes this vague idea and pushes it out into something new, visible and thick.

I have a thing for myth, a hard-on for fairy-tales. I might, though this has yet to be properly explored, have a fetish for good sci-fi.

There’s a thread of thought here, something to do with gender and how I catch flashes of memory that don’t seem to belong to me, but I know they do. I’ll have my eyes open and see something different than what’s in front of me. My hands will expect another sensation, my knuckles should be thicker like how I remember the scrape of a razor over my cheeks. Then it vanishes like a drop of water into the sea. I’m awake, I’m not dreaming, even if I’m waking in darkness. I can feel her body underneath me, I can feel her hair tangled in my fingers, but it’s not a her, is it? The same eyes and mahogany. It’s like there’s a switch been thrown, like there should be a drug to put me back.

I think Kitsune stream of consciousness, the morph of devouring woman into fox. All the myths are black widow stories when I tell them. I’m serious. I’ll tear out your ivory teeth and hold them on my tongue. There’s sort of a Kate Bush feeling associated with it, like a sweet plastered melody is creeping up on my somewhere in the soprano range. Singing, it’s like singing, but I don’t know how. My fingers are not trained like my voice was not. There is no natural grasp of what I need to say. My tongue is too short for the outburst of emotion to be kind and I need it to be gentle. A dark swirl of crimson, (et al clover), you and I and I and we, it’s the dance again. I need to feel the dance again. I’m losing myself in this, I need to. Blast the music and turn up my inner monologue past hearing.

Succubus, incubus, it’s a spinning whirl of arms entwined. Dreaming of futures that may never were yet. The sound of a page turning, the dry crackly rustle drifting up from the stage. It reminds me of my mouth at his throat, her throat, they’re all the same person, just as my name isn’t Jhayne, it’s something else, something I always considered too boyish, too young. I wonder what letters are in it, but my skin tone’s the same, my eyes are the same colour too. I remember my flesh prodding at your sex, something wet in the nest of fur. It’s impossible and I can hear it under my fingernails so I know it’s real. Hold me down, I’m spent and my body is weak again.

happy chocolate egg day – where’s my damned drugs?

Somewhere in the world today is crawling with catastrophe. People are dying, there are gunshots and soft pools of pain I’ve never seen in person. I’m wrapped in a blanket, purple hair and an obscure band T-shirt with TV On The Radio written on it in curlicue script, thinking about this, and insulated in my first world country.

SCOTUS: What makes you think he is a terrorist?
GEORGE W. BUSH: Well, he blew me up with a car bomb.
SCOTUS: A car bomb?
GEORGE W. BUSH: I got better.

The children in chat are few today, it being easter, they being american, their country becoming run by faith. I wonder if Italy shuts down the same way or the South Americas. Are the streets silent today under the giant statue with out-stretched arms?

Surprise finding shows that plants rewrite genetic code under stress, (they’re able to revert to genetic code that doesn’t contain a mutation that its parents had), perhaps using RNA as a back-up template.

I can see birds flying in the sky on the other side of the window, gliding on air currents like a road to utterly nowhere. They look the same as the seagulls that live south of here and east. I remember looking out the windshield of The Truck when I was little and I knew it was spring because my dad would buy me Cadbury Cream Eggs behind my mothers back. I would try and eat the chocolate before the gooey inside and get sticky sugar all over me and my pink jacket. I remember the white crystallizing in my hair and being unable to get the foil off my hands without industrial effort. Now Cadbury is doing things like trademarking the colour purple.

“One of the disciples seated at the prophet’s feet, thin and on the wane, busied himself taking apart a Rubik’s Cube. “Tell us, Master, about love.” He plucked a red-stickered cube from the plastic bouquet and looked up expectantly.”

When you were little, did you used to lay with your head back, maybe upside down on the stairs, and imagine what it would be like to walk on the ceiling? I would all the time. In every hotel room, I would picture all the little details of stepping over doorsills and maneuvering around light fixtures. These guys have created a room that channels the fantasy nicely. It’s somehow satisfying.

humans are interesting

as found at diepunyhumans

A review of a performance by Justice Yeldham And The Dynamic Ribbon Device:

“A barefoot Australian in faded jeans and a beer shirt was strapping on a belt of electronic devices. Two wires led from the belt. One was attached to a large set of speakers and the other was attached to a jagged piece of glass. This was Justice Yeldham and the Dynamic Ribbon Device. The sound man turned on the power and the whole contraption started to hum ominously. Meanwhile our shoeless bloke was squeezing half a tube of KY jelly onto his face and into his mouth. The live music performance was about to begin.

He played the device by rubbing his face up against the glass. The sound traveled down the wire and into a set of amplifiers and distortion boxes attached to his waist. This distressing music then came squealing out of the speakers at incredible decibels, instantly deafening all other sounds. Eyes widened in uncertainty and hands covered ears but he played on. He played with agonizing passion, sliding his face against the glass while flecks of KY jelly flew in all directions. The front row of spectators inched backwards out of spray range and some fled altogether. I was transfixed. As he glided his cheek across the glass he played with the switches on his belt. The squealing noise varied in pitch but never in intensity. It was like electrified teeth rubbing on a blackboard. It was like uncontrolled guitar feedback played backwards. It shouted of sorrow. It screamed of pain. It was art.

“Five minutes into the performance and his mouth was cut by the glass as he played the edge. Blood mixed with KY jelly in a red smear. More spectators fled. The sound continued to attack us in volleys of crazed noise until the final spike as he smashed the pane of glass. Then it was over. I didn’t know whether to clap, laugh or pray.”

-Ravi Jeyachandran on 040604 beirut